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Lit Recap: Author meet-and-greet with Hanna Alkaf

On Saturday, Feb 17, we celebrated the publication of Malaysian author Hanna Alkaf’s debut young adult (YA) novel, The Weight of Our Sky, with a meet-the-author event that saw more than 70 people in attendance. We were heartened to see the enthusiastic response to Hanna’s novel, which is about a music loving teen with OCD, Melati, who does everything she can to find her way back to her mother during the historic race riots of 1969 in Kuala Lumpur. This is one of those books that on the one hand, is gut-wrenching, but it is also heart-warming. There are heart-breaking depictions of human cruelty, but also of immeasurable kindness. Most of all, it is an empowering tale of hope and courage in the face of terror, both from within and without. Min Hun conducted a Q&A with Hanna, an edited version of which is reproduced below.

Min Hun: Tell us about how you came to write a novel set during the riots of 1969.
Hanna: The Weight of Our Sky was a book that had lived in my head for a long time before I started writing it, mostly for the reasons you mentioned, that we don’t talk about May 13. I remember it from my history textbook but it was really glossed over and sterilised. It always fascinated me what we were not told and what voices we were not hearing, and what was being obscured.

What sort of research did you do to write this book?
I love doing research; it’s so fun to me. But I’m also a journalist by training so I approached it a lot like as if I were writing an investigative feature. I read everything that I could on it: articles written at the time, both from in and out of the country, I read government white papers, any book that I could find. I interviewed survivors and I consulted experts on the things that I needed to get the details right for — although I did end up missing a couple of things.

How did you create your characters?
They are an amalgamation of different people and they are fully Malaysian. It’s very hard to see characters like that in the current YA novels… I write YA and I write for kids because as a kid who read a lot of English books growing up, I don’t think I ever saw anybody who looked like me. I feel like when you’re reading as a kid, a teen or young adult, that’s when what you read is most formative. I think it means a lot to a kid to be able to read a book that they can see themselves in.

There is a theory from researcher Dr Rudin Bishop, who says in kid lit it’s important that children have both mirrors and windows. They should have windows into experiences other than their own and they should also be able to see themselves reflected in the fiction they read. Malaysian kids get a lot of windows but we have very few mirrors. I also enjoy reading YA, and I just really wanted to write Malaysian stories for Malaysian kids.

It was full house with standing room only at the event.

Mental illness is a big part of this book and your first collection of stories, Gila, is also about mental illness. Can you tell us about your interest in the subject and why mental illness is an important part of this novel?
I wrote Gila, a nonfiction book in 2015. I wrote it after I had my daughter, and I was freelancing at that time. I was working on an article about postpartum depression, a very relevant topic to me at that time. I had interviewed 4 or 5 women, and the thing that I noticed was that all these women were educated and lived in urban areas, but not a single one of them — even though they had reached the point of psychosis — had gone to see a psychologist or psychiatrist. They relied on other things — they relied on faith, on community and family but they never went to see a professional. This was weird to me because if you’re sick, you go to a doctor. If your brain is sick you go to somebody who can help you but that wasn’t the case. And I started thinking about why that was. I started doing some research, and I thought if there was something interesting to be uncovered here, I could pitch it as a series of articles. As it turned out, it was one of those topics where the more questions I asked, the more questions I came up with. It became clear that it was a topic that really needed to be talked about in a lot of different but interconnected ways, and that’s how Gila came about.

When I wanted to start writing the novel, I knew that I wanted to create a protagonist who was dealing with this intersection of faith and mental illness, which was a thing that was coming up a lot in the interviews. As Malaysians, we are surrounded by faith, whether you’re a person of faith or not. I wanted a book that explored that intersection between faith and mental illness because I think at the age the protagonist is at, you’re questioning a lot of those things. 

I think you also represented the way our society tends to approach mental illness. It is still largely a taboo topic of discussion, or it’s something you can’t explain. In the novel, Melati’s mental illness was stifling in a way because this sense of losing control, of being enslaved to mental illness, is something we’re all naturally uncomfortable with.
You’re not the only one. I’ve had people say things like the parts where she’s dealing with her OCD, they’re tedious to read and they’re painful. But that’s what OCD is. OCD is tedious and it’s painful. It’s not having these quirks of needing to clean one’s hands or arrange things a certain way. It’s tedious and it’s painful. I wanted the text to reflect that and really put you in her head.

Given how sensitive we are as a society with racism, were you at any point concerned about what you were writing?
Not really, only because we’re not a society that talks about it and that’s a problem. The more we don’t talk about the painful parts of our history, the more likely we are to never learn from them. If we just keep obscuring things that are hard and that are painful and uncomfortable… we have to sit with our discomfort. This is a thing that happened in our history, we have to accept that it happened and we have to figure out why. 

The Weight of Our Sky is available at RM55.90.

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Five books that reveal the many facets of love

It is a generally acknowledged phenomenon that February and love go hand-in-hand together. Regardless of whether it’s due to the mass commercialisation of the emotion due to Valentine’s Day or some deeply-rooted instinct deep within our circadian rhythms, love is, for better or worse, in the air. Love is complicated, however, and nothing captures this complexity better and with greater completeness than the written word. Stories and poetry capture the intricate monologue that happens within lovers in ways that Hollywood blockbusters never will, to reveal just how intertwined love is with a whole host of other difficult emotions. The following titles proffer lesser-acknowledged dimensions of love.

Normal People by Sally Rooney (RM79.95)
Sally Rooney is a late 20-something phenom whose debut novel, Conversations with Friends, was published in 2017 to massive critical acclaim. Her 2018 follow-up, Normal People, was similarly feted and longlisted for the 2018 Booker Prize. The story follows a young couple–Connell and Marianne–who meet each other in secondary school at County Sligo, Ireland and later at university in Dublin. Drawn to each other by pure natural chemistry, they are nevertheless caught in an unending cycle of love and hate with circumstances and personalities conspiring to pull them apart. Rooney captures brilliantly the uncertainty brought about by young love replete with its unwillingness to compromise with its ‘All or Nothing’ battlecry. More poignant is Rooney’s observation that there is nothing normative about love, and there is no such thing as ‘normal people’.

Never Anyone But You by Rupert Thompson (RM89.90)
Never Anyone But You is based on the lives of two pioneering female French surrealists Marcel Moore né Suzanne Malherbe and her partner and lover, Claude Cahun né Lucie Schwob. The latter also happens to be her stepsister after Marcel’s father marries Claude’s widowed mother when she was 14. Thompson’s novel details their early lives as lovers and their transformation into their androgynous counterparts following their move to Paris. There, they strike up close relationships with Paris’ most avant garde and begin their lives as surrealist performers. Their roles quickly changed following the occupation of France and the sisters carried out inspired acts of resistance that included planting anti-war leaflets in German barracks and anti-war propaganda throughout occupied France. Never Anyone is a sensitively told story that nevertheless brims with encounters and anecdotes that places the reader front and centre of this magnificent story of creativity, survival, friendship and, of course, love.

The Song of Achilles by Madeline Miller (RM55.90)
Love is an old emotion well-known even to the classical writers. They have known love to inspire, to enliven and deaden, and to encourage heroes to their very best and very worst. Nowhere is this more evident in Madeline Miller’s Song of Achilles, which is a retelling of Homer’s Iliad focused on the life of Achilles and his lover, Patroclus. At once a coming-of-age story and a reimagining of one of the most vivid battles in literary history, Miller’s Song is a breathtaking work that is brought to life through her sparkling prose. Love and friendship are key themes of this seminal piece of literature, and Miller contributes to the overall understanding of the work by hazarding a why to the typical what of the story of Achilles. Forget Brad Pitt’s reluctant, nuanced Achilles; the Achilles of Greek myth is much better approximated by Miller’s brash, arrogant and petulant hero of great ardour.

5 Centimetres Per Second: One More Side by Makoto Shinkai (Adapted by Arata Kanoh) (RM70.50)
Writer and producer of Your Name Makoto Shinkai’s 2007 anime 5 Centimetres Per Second was hailed as a critical success and cemented Shinkai’s status as the next Miyazaki. In the original anime, friends Takaki and Akari are separated from each other when the latter’s parents move to a different part of the country. Later, when Akari’s parents too decide to move to the other side of the country, he resolves to visit Akari one last time before they are separated by too great a distance. During their meeting, they realise their feelings for one another but also the futility of hoping for anything more beyond that moment. As the years progress, Takaki continues to be haunted by his first love even as he continues down his own path. This new novel adapted by Arata Kanoh gives readers another side to the story with greater emphasis on Akari’s perspective while leaving the core of the story intact. This is a beautiful retelling of an equally memorable classic.

The Flame by Leonard Cohen (RM115.90)
A while ago, there was a heated debate at Lit Books by a panel guest on whether musicians were poets. The musicians at issue were Patti Smith, Bob Dylan, David Bowie and, of course, Leonard Cohen. Cohen is perhaps most famous in this part of the world as the person who penned the song Hallelujah although few would likely admit to liking his particular rendition of the song. The latest (and probably final) installment in his published work Flame collects unpublished poetry and self-portraits, and also includes lyrics from his last album You Want it Darker. Cohen’s poetry is unabashedly dark, but there is always a flicker of a flame somewhere within that darkness that, if coming from anyone else, would be cringey. Flame, ultimately, is a an intimate love song–autobiographical and universal in its meaning and precision.

This article appears in the February 2019 issue of FireFlyz, the in-flight magazine of Firefly airlines.

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Five inspiring books to kick-off the new reading year

As booksellers, we are often asked by customers to recommend inspirational books or books that can help them improve themselves. At Lit Books, we try to take a different tack to self-improvement. While we do carry a selection of self-help titles, we also believe that personal edification can come through less direct means. The following are some titles to help kick-off your new reading year!

Books for Living: A Reader’s Guide to Life by Will Schwalbe
Through books that he’s read, Will Schwalbe addresses one or more themes pertinent to our modern workaday life, usually in ways that are not readily apparent. For example, on the chapter entitled Trusting, Schwalbe’s liber of choice is Paula Hawkins’ excellent Girl on the Train. At first blush, it is not readily apparent how exactly Girl on the Train, a crime thriller, has anything to do with trust, but Schwalbe gives us an ingenious explanation. Similarly, in the chapter entitled Choosing Your Life, Schwalbe’s book choice is Azar Nafisi’s Reading Lolita in Tehran. Azar’s book is a memoir of her last class in Iran, where she taught and read Nabokov’s controversial Lolita to a group of women in an ultra-conservative state where possession of material such as Nabokov’s book is grounds for punishment. The best thing about Schwalbe’s book is that it doesn’t just show you how books can be relevant to your life, but entices you to read the books that he discusses. (RM62.90)

The Antidote: Happiness for People Who Can’t Stand Positive Thinking by Oliver Burkeman
As the title suggests, there is a certain segment of the population who instinctively push back against overtly cheerful slogans, and who believe that the trick to happiness must involve more than mere positive thinking. Oliver Burkeman’s Antidote takes a more sober approach: rather than overlaying reality with layers upon layers of positivity, he suggests that happiness is really about coming to terms with the imperfections of reality. The Antidote is a genuine attempt to reframe the definition of happiness for reasons both practical and theoretical. In the Guardian’s review of the book, the author Julian Baggini, a philosopher in his own right, likens Burkeman’s book to a shot of Pimm’s on a summer’s day: “refreshing if consumed by those already sceptical about the power of positive thinking, bracing if splashed in the face of those who aren’t”. (RM62.90)

The Courage to be Disliked by Ichiro Kishimi and Fumitake Koga
A unique self-improvement title which is written as a dialogue between a philosopher and his student, The Courage to be Disliked deals with a topic that seems strange at first. After all, who among us does not want to be liked, or more pertinently, who among us aspires to be disliked? In a culture where the slightest social opprobrium is grounds for isolation and alienation, authors Kishimi and Koga argue that self-actualisation, at the risk of social castigation, remains key to happiness and fulfilment. Embedding the theories of psychologist Alfred Adler in the fictional dialogue, the book shows how each of us is able to determine the direction of our own life, free from past traumas and the expectations of others. The Courage to be Disliked is the most prescriptive of the books that we are recommending in this issue, focusing on the concepts of self-forgiveness, self-care, and mind decluttering. A must-read for those of us caught in the grips of anxiety and worry. (RM79.90)

Killing Commendatore by Haruki Murakami
Killing Commendatore is the perfect introduction to one of the finest authors of this generation (and a good way to start your way into becoming a ‘Harukist’ in the new year). It is difficult to squeeze Killing Commendatore, which is 700-odd pages long, into two paragraphs, but it is a story concerning painting, love, obsession and ideas, with some surreal passages thrown in for good measure. The story revolves around an unnamed protagonist who is a portrait painter by trade. Following an unhappy separation from his wife, he moves into the home of Tomohiko Amada, an erstwhile master of Japanese painting. The discovery of a hidden painting sets myriad things into motion. The protagonist, now privy to a hidden secret, must now see out the full ramifications of the uncovering. If you’ve ever felt compelled to read a Murakami but felt intimidated by the author’s reputation, rest assured that Killing Commendatore is a gentler introduction to his world. (RM131.90)

Educated by Tara Westover
Tara Westover was born to Mormon fundamentalist parents in rural Idaho. Voluntarily cutting themselves from all worldly contact, Tara did not step into a classroom until she was 17 and was submitted to extreme religious doctrine by her prophet father. Nevertheless, a brush with the outside world inspires her curiosity to find out more, and she ends up teaching herself enough grammar, mathematics and science to be admitted to college. Her voracious appetite for knowledge and education would eventually take her across continents and earn her a PhD from Cambridge University. Despite her remarkable academic achievements, she is set for a reckoning with both her family and herself in confronting her past. This memoir is at once an inspiration and a reminder that perseverance can be rewarding but dreams can and do come with a price. (RM55.90)

This article is published in the January 2019 issue of FireFlyz, the in-flight magazine of Firefly airlines.

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Seven ways to ramp up your reading habit

The coming of a New Year inevitably brings about the desire to set fresh goals and resolutions. While detoxing, dieting and decluttering are all well and good, none of these can quite enrich your mind and soul the way reading a good book can. Do yourself a favour – make it a year of books.

Perhaps you’ve been stuck in a slump and want to get back to reading regularly, or you’re already a voracious reader who’s looking to change things up a bit. Wherever you fall on the spectrum, you’ll find something in this list of fun and entirely achievable ideas to get you going.

1. Read outside your comfort zone.

Exploring an unfamiliar genre, topic or experimental narrative can turn out to be an exhilarating journey of discovery. It exposes you to new things and allows you to think differently, if not critically. All that’s needed is an open mind, and of course, good recommendations. You may find yourself becoming absolutely enamoured with this new frontier, but even if you don’t, you would’ve expanded your literary horizons.

2. Tackle an author’s entire oeuvre.

This one’s for the goal-oriented and systematic reader among us, and those who’d like to become an authority of sorts on a specific writer and their works. Whether you pick an author you’re already familiar with or one whom you have not read before but have always been curious about, you would come away with a deeper appreciation for your chosen author’s storytelling prowess.

3. Revisit an old favourite in between reading new titles.

The wonderful thing about re-reading an old book – other than the sheer pleasure of it – is the unearthing of new revelations, either about the book or your experience of it. You’re a different person from when you first read the book, and revisiting it with different lenses will elicit fresh observations and interpretations.

4. Choose a topic or subject matter to focus on.

Ask yourself, what is one topic you want a deeper understanding of? A specific geographical region of the world, a hobby such as fly fishing or knitting, primitive art, a current social issue, the history of butter or of marine chronometers, perhaps? Whatever it is, make a reading list of books that explore that topic. Make it an expansive list that spans different genres: fiction, non-fiction, and poetry, even.

5. Set a numbers goal.

If you’re one who thrives on achievements, give yourself a tangible goal to strive for. Keep it realistic and achievable – a target of finishing one book a month is a good place to start, or you could go big and challenge yourself with a book or two a week. Then make it a point to put aside time in your day to do nothing but indulge in a spot of reading – set a reminder on your phone, if that helps.

6. Take on a reading challenge.

Try one of the various reading challenges by blogs like Book RiotPopsugar or the Reading Women podcast, which presents a list of specific types of books to read, but leaves the title to you to choose. Book Riot’s Read Harder Challenge consists of things like “a book in which an animal or inanimate object is a point-of-view character” and “a book by or about someone that identifies as neurodiverse”. Popsugar‘s list includes “a book you see someone reading on TV or in a movie” and “a book published posthumously”. The Reading Women Challenge has “a book about a woman athlete” and “a book featuring a religion other than your own.”

7. Join a book club.

Becoming part of a book club is a sure-fire way to get you reading regularly. Getting together with other book aficionados to go over a book with a fine-toothed comb helps you widen your understanding and appreciation of a book and its themes. You’re bound to see the book in a different perspective. A great place to start is to do a search on Facebook and look for reading groups near you. You’re welcome to join our monthly club, Lit Social, which usually takes place every third Thursday of the month at the store at 8pm. Be sure to follow us on Facebook for the latest updates.

Need book recommendations? Visit us and let us match you with the perfect read.

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Our favourite reads of 2018

We’ve read more than we’ve had in years since opening the bookshop this past year. Granted, it’s partly for research purposes, but whatever the reason, it’s also the most pleasure we’ve had in reading in quite some time. Here are some of our favourite books of 2018.

Min Hun’s Picks

Favourite Fiction: Ali Smith’s Winter. Smith has one of the most unique voices in literature today and I am a huge fan of her seasonal quartet beginning with Autumn the year prior. Winter is possibly just as twisty and irreverent as Autumn, and fine evidence of Smith’s appreciation of the pun. As with Autumn, the central theme to Winter is that of change with characters in reminiscent mood with the coming of Christmas (a la A Christmas Carol). As with Smith’s previous novels, it is impossible to say exactly what it is one has previously read but it nonetheless leaves you breathless and empty at the end.

 

Favourite Non-Fiction: GJ Meyer’s A World Undone. Meyer’s book is probably the best single-volume on WWI I’ve come across, and it stands up pretty well despite being published more than a decade ago in 2006. What comes across most clearly from Meyer’s account is just what a comedy of errors it was with the entire enterprise and yet inevitable at the same time. Providing sufficient history without bogging down the narrative, and present-minded enough to make for a ripping yarn, A World Undone is a must for any war history buffs.

 

Favourite Verse: Leonard Cohen’s The Flame. Cohen has been such a large part of my life — since my days of existential crisis at university to my now more sobered self — that it was impossible to pass on his last collection of poetry, self-portrait and lyric. The Flame is unabashedly romantic but also voiced from a place of resignation in recognition, at last, that all is vanity. This final collection of works was put together by his son and stands as a proper testimonial to a life of work and art.

Elaine’s Picks

Favourite Children’s Book: Jakob Wegelius’ The Murderer’s Ape. This middle-grade novel by Swedish award-winning writer and illustrator is an old-timey, epic adventure tale, with equal parts mystery, action, intrigue, and the exotic, but also imbued with a lot of heart. The protagonist is an extraordinary gorilla named Sally Jones who can understand human language, is able to read and write, and is a handy engineer to boot. The main plot of the novel is about how Sally Jones goes about trying to exonerate her Chief, Henry Koskela the sea captain, who becomes entangled in a chain of events that results in him becoming falsely accused of murder. Her efforts take her from Lisbon, Portugal to Bhapur, India and brings her in contact with a sea of colourful and fascinating characters.

There are various themes presented in the story, but what I found particularly moving is how it beautifully depicts the unbreakable bond formed between animals and humans. This is ultimately a tale of friendship and the lengths you would go for the ones you love. Rich in detail, the wonderfully imaginative story takes many unexpected turns, leaving the reader breathless as to what will happen next.

 

Favourite Fiction: John Boyne’s A Ladder to the Sky. A dark tale of literary ambition from a master storyteller, this novel chronicles the rise and fall of Maurice Swift and the depths of depravity he descends into to achieve his goal. I really enjoyed how the story is told from different perspectives with multiple narrators. The novel begins with Maurice as a young aspiring writer who has a fortuitous encounter with celebrated novelist Erich Ackerman with whom he ingratiates himself with — this is told from Erich’s perspective. Part two picks up a few years after Maurice’s successful debut but he is now experiencing a mid-career slump and getting desperate by the day. He is married to Edith, also a novelist, and the story is told from her point of view. In the third and final portion of the book, we finally get inside Maurice’s head and learn that his is a pattern of behaviour established from young. Riveting and brilliantly crafted, this thrilling and captivating book about people and their stories will stay with you long after you’re done.

 

Favourite Non-Fiction: Katherine Reid’s The Landscapes of Anne of Green Gables. The Anne of Green Gables series by Canadian author LM Montgomery is my all-time favourite childhood series. As such, I absolutely adored this gem of a book, as it brought new life and meaning to Montgomery’s novels. This coffeetable book portrays with stunning photography the gorgeous landscape of Prince Edward Island, the setting for all but one of Montgomery’s novels. What gives this book added substance are the biographical anecdotes of Montgomery’s life and writing career, seamlessly weaved into the descriptions of the land that so inspired her. There are also travel tips for those of us — including yours truly — who want to plan a trip to PEI. This is a truly beautiful tribute to Montgomery’s writings and the island she loved with all her heart.

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Seven haunting books to read this October

Halloween is just around the corner! This inevitably starts us thinking about books with dark, haunting, chilling and macabre themes. As chilling as they are compelling, the horror novel compels us to gaze into the void to consider the extreme limits and consequences of events both natural and supernatural. But even as we do so, the void gazes back into us, and we are forced to confront just how much of the dark and the horror are found within us. Here are some of our choice reads this October:

 

We are Completely Fine by Daryl Gregory
This World Fantasy and Shirley Jackson Award Winner follows psychotherapist Dr. Jan Sayer who has a support group comprising of a group of misfits and outcasts whose mental states can only be described as ‘precarious’. The members of the group are hodge-podge and include the likes of Harrison, a Monster Detective and a storybook hero who is now in his mid-30s and spends most of his time popping pills and not sleeping. There is Stan whose only claim to fame comes from having been partially eaten by cannibals, Barbara who is haunted by unreadable messages carved on  her bones, and Greta who may or may not be a mass-murdering arsonist. No one believes the claims of these exceptional individuals except for Dr. Sayer who will help them uncover the monsters they face within and those which are lurking in plain sight. (Paperback, RM71.90)

The Hoarder by Jess Kidd
From the award-winning author of Himself comes the spellbinding tale of lonely caregiver Maud Drennan and a cranky hoarder with a house full of secrets, Cathal Flood. Maud is a caregiver whose sunny disposition masks a deep sadness. A tragic childhood has left her haunted by the company of a cast of prattling saints who pop in and out of her life like tourists. Meanwhile, Cathal is a menace by all accounts. The lone occupant of a Gothic mansion crawling with feral cats, he has been waging war against his son’s attempts to put him into an old-age home. Maud is this impossible man’s last chance: If she can help him get the house in order, he just might be able to stay. The unlikely pair begins to cooperate, bonding over their shared love of Irish folktales and mutual dislike of Cathal’s overbearing son.

But the cluttered corners of the mansion hint at buried family secrets,  reminding Maud that she doesn’t really know Cathal at all. When the forgotten case of a missing schoolgirl comes to light, her curiosity becomes a full-steam search for answers. Packed with eccentric charms, twisted comedy, and a whole lot of heart, The Hoarder is a mesmerising tale that examines the space between sin and sainthood, reminding us that often the most meaningful forgiveness that we can offer is to ourselves. (Paperback, RM69.90)

The Silent Companions by Laura Purcell
This deliciously creepy Gothic novel centres on newly widowed Elsie who is sent to see out her pregnancy at her late husband’s crumbling country estate, The Bridge. With her new servants resentful and the local villagers actively hostile, Elsie only has her husband’s awkward cousin for company — or so she thinks. For inside her new home lies a locked room, and beyond that door lies a 200-year-old diary and a deeply unsettling painted wooden figure — a Silent Companion — that bears a striking resemblance to Elsie herself. (Paperback, RM47.90)

Resin by Ane Riel
This award-winning novel is about Liv who died when she was six years old — or at least, that’s what the authorities think. Her father, wanting to keep her safe in this world, left the isolated house his little family called home one evening, pushed their boat out to sea and watched it ruin on the rocks. Then he went to report his only child missing. But behind the boxes and the baskets crowding her father’s workshop, Liv was hiding. This way, her father had said, she’d never have to go to school; she’d never have to leave her parents. She would be safe. Suspenseful and heart-breaking, Resin is the story of what can happen when you love someone too much — when your desire to keep them safe becomes the thing that could irrevocably harm them. (Paperback, RM79.90)

The Last Horror Novel in the History of the World by Brian Allen Carr
The setting for this novella is Scrape, Texas, a nowhere town near the Mexican border. Few people ever visit Scrape, and the unlucky ones who live there never seem to escape. They fill their days with fish fries, cheap beer, tobacco, firearms, and sex. But Scrape is about to be invaded by a plague of monsters unlike anything ever seen in the history of the world. First there’s La Llorona — the screaming woman in white — and her horde of ghost children. Then come the black, hairy hands. Thousands, millions, scurrying on fingers like spiders or crabs. But the hands are nothing to El Abuelo, a wicked creature with a magical bullwhip, and even El Abuelo mean even less when the devil comes to town. (Paperback, RM49.90)

Windeye by Brian Evenson
The characters in this collection of stories live as interlopers in a world shaped by mysterious disappearances and unfathomable discrepancies between the real and imagined: a woman falling out of sync with the world; a king’s servant hypnotised by his murderous horse; a transplanted ear with a mind of its own. Exploring how humans can persist in an increasingly unreal world, these tales are haunting, gripping, and psychologically fierce, and they illuminate a dark and unsettling side of humanity. (Paperback, RM75.90)

The Pan Book of Horror Stories selected by Herbet van Thal
Originally released in 1959, this book gathers 22 terrifying tales of horror by such famous authors as Peter Fleming, C. S. Forester, Bram Stoker, Angus Wilson, Noel Langley, Jack Finney and L. P. Hartley. Stories of the uncanny jostle with tales of the macabre. There are tales of subtle beastliness (Rasberry Jam); of sickening horror (The Fly or His Beautiful Hands); and of utter chilling terror (The Horror of the Museum). (Paperback, RM49.90)

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Lit Review: ‘Inheritance’ by Carole Wilkinson

Who: Australian author Carole Wilkinson started her writing career at 40, publishing her first book for young readers in 1996; she has been making up for lost time ever since. Over the past 20 years she has written more than 30 books, including the internationally award-winning and bestselling Dragonkeeper series. Inheritance is her latest historical fiction for young readers.

What: Fourteen-year-old Nic is sent to live with her reclusive grandfather at his remote property in the Australian countryside after her father signs up to work on a cruise ship. The homestead was once the childhood home of Nic’s mother who died the day she was born. The house has 30 rooms, sprawling grounds, three dogs but no mobile reception, Internet or functioning television. Left to her own devices, Nic explores the homestead, searching for clues about the mother she never knew. Things become interesting when she learns the ability to leap through a crack-in-time into the past — an ability passed down to the women in her family. With this newfound ability, Nic discovers the dark and shocking secret that haunts the land and the people who live there.

Why: Who among us hasn’t fantasised about being able to slip through time? The ability to glimpse what really took place centuries ago and change the course of history makes for a gripping narrative to be sure, and many authors, past and present, have explored this in their work. But the most impactful time-travel tales aren’t about changing the past but exploring it to better understand ourselves and our history. And this is largely the type of story that award-winning children’s book author Carole Wilkinson has written in her latest novel, Inheritance.

This compelling yarn confronts Australia’s shameful past in regards to the many instances of senseless, cold-blooded massacres of Aboriginals. It tackles this difficult subject with unflinchingly honesty without degenerating into a story of gory and wanton violence it easily could have. But the emotional scars left behind are very real, and very vividly captured in this authentic depiction of one of Australia’s darkest chapters. Wilkinson weaves the narrative into a story blending intrigue, adventure, supernatural elements and good old-fashioned sleuthing, with a curious, plucky teenage protagonist who has a penchant for the classics (Austen’s novels play a significant role in the plot). It’s a heady but thrilling mix.

Ultimately, though, it is an uplifting tale of coming to terms with one’s past — no matter how shocking or shameful — and how, even though you can’t change what happened, you can determine how you respond to it today.

Reading Level: Aged 11 and up

Verdict: A solid time-travel mystery and historical fiction that’s engaging and thought-provoking. (7/10)

Availability: Paperback, RM49.90

Special thanks to Pansing Distribution for a review copy of the book.

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Lit Review: ‘A Ladder to the Sky’ by John Boyne

Who: Irish author John Boyne has written 11 novels for adults and five for younger readers, including the acclaimed and highly successful, The Boy in the Striped Pyjamas, which was turned into a film. He is also the author of the short story collection, Beneath the Earth, and is a regular book reviewer for The Irish Times. Boyne has been awarded numerous Irish book awards and international literary awards, such as the Que Leer Award for Novel of the Year in Spain and the Gustav Heinemann Peace Prize in Germany. In 2012, he was awarded the Hennessy Literary ‘Hall of Fame’ Award for his body of work. In 2015, he received an Honorary Doctorate of Letters from the University of East Anglia. His latest adult fiction is A Ladder to the Sky.

What: Maurice Swift has harboured ambitions to be a writer since his teens. As a young man in post-war Berlin, Maurice has a fortuitous encounter with celebrated novelist Erich Ackerman with whom he ingratiates himself. Erich is lonely and has a tragic story to tell, and Maurice needs a story to write about. Maurice’s debut novel based on Erich’s life story is a hit and sets him on the path to literary stardom. But that only intensifies Maurice’s pursuit of other people’s stories, and he will stop at nothing to succeed.

Why: I have a confession to make: This is my first John Boyne novel, and it is a great introduction to Boyne’s storytelling prowess. A Ladder to the Sky is a brilliantly crafted, riveting tale of dark ambition and of the extremes that a man would go to attain his goal. It’s a familiar trope to be sure: an ambitious, psychopathic protagonist with a bit of talent but not quite enough to become one of the greats, and thus resorts to manipulation and theft. What makes A Ladder to the Sky intriguing is the setting of the tale, which takes place in the literary world; I wouldn’t be surprised if Boyne drew from his personal experiences in the industry to pen this tale.

By turns salacious, scandalous and shocking, the story is told in a non-traditional way using multiple narrators. Far from it being distracting, however, I enjoyed the manner in which this thrilling, plot-driven tale unfolded. The novel is divided into three parts that span three stages of Maurice’s career, with each successive stage seeing him become increasingly ruthless. In between the three main chapters are two shorter, third-person interludes that serve to enhance the overall narrative.

The novel begins with Maurice as a young man with only aspirations of being a writer, and this is told from Erich’s perspective, the veteran novelist he befriends. Part two picks up a few years after Maurice’s successful debut but he is now experiencing a mid-career slump and getting desperate by the day. He is married to Edith, also a novelist, and the story is told from her point of view. In the third and final portion of the book, we finally get inside Maurice’s head and learn that his is a pattern of behaviour established from young.

Does Maurice get his comeuppance? All I will say about this is that the novel is satisfactorily resolved at the end.

Verdict: A page-turner on the pitfalls of ambition. (8/10)

Availability: Trade paperback, RM81.50

Special thanks to Times Distribution for an advance copy of the book.

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Lit Review: ‘Warlight’ by Michael Ondaatje

Who: Michael Ondaatje is a Sri Lanka-born Canadian poet and novelist. He is the recipient of multiple literary awards including the Governor General’s Award, the Giller Prize, the Booker Prize, and the Prix Médicis étranger. His 1992 Booker winner, The English Patient, won the  Golden Man Booker Prize in 2018. Warlight is his latest novel, and it is longlisted for the Man Booker Prize 2018.

What: It is 1945 Britain. Siblings Nathaniel and Rachel Williams are told one day after breakfast that their parents will be moving to Singapore for their father to take up a new post at one of Unilever’s regional headquarters. They will  remain in Britain under the care of a family friend, whom they know as The Moth. Their father leaves first before their mother, Rose,  is to join him later. In the last few days with their mother, Nathaniel and Rachel — or Stitch and Wren, their mother’s nicknames for them — learn that Rose, code-named Viola (“Ours was a family with a habit for nicknames, which meant it was also a family of disguises”), may not have been entirely truthful with them.

Dropped hints of her wartime contributions with the Moth suggest a mercurial, can-do intelligence agent that belies her current guise as a quiet, retiring homemaker. These suspicions are validated when, upon her departure, the children discover her travelling trunk hidden in the cellar of their home. Effectively abandoned, the children then turn to the enigmatic Moth and his group of eccentrics including a former beekeeper, botanist and welterweight boxer known only as The Pimlico Darter.

Narrated by Nathaniel years later, a significant portion of the first part of the book has to do with his coming-of-age under the tutelage of these people, chiefly the Darter. The Darter, a former boxer and small-time greyhound smuggler and tout working the local racing grounds, introduces Nathaniel to the backwaters and byways of post-war London and engages his help in smuggling racing dogs from France on a modified mussel boat through the Thames. Then there’s Olive “Not Just an Ethnographer” Lawrence who was instrumental in plotting the Normandy landings of D-Day, and a spy haberdasher filling out the Moth’s motley crew responsible for overlooking the Williams siblings.

But there is intrigue afoot, and everything comes to a head one evening at the Bark Theatre when he and Rachel are kidnapped. Rose re-emerges to save the children, but the encounter does not end without loss. Rachel, still smarting from their abandonment, severs ties with her mother while Nathaniel, perhaps more sanguine in his personality, remains with Rose. The rest of the novel sees Nathaniel slowly unravelling more of his mother’s background while he comes to terms with his own history.

Why: Warlight is a story of memory: of the things we remember and the things we choose not to remember for the sake of self-preservation and of making sense of who we are. It is a story of the consequences of the choices we make and the consequences of the choices made for us, all taking place within the backdrop of a post-war world where intrigue remains the watchword for the day. Warlight is also a reminder that ‘truth’ is always a heavily edited narrative, and that competing narratives can result in antagonism and division.

The novelist Yiyun Li admits that she has a troublesome relationship with time as memories “tell more about now than then”. Memories are thus untrustworthy companions, especially as, Nathaniel says, “I know how to fill in a story from a grain of sand or a fragment of discovered truth… We order our lives with such barely held stories.” Nathaniel’s “barely held” stories, which make up the first third of the book, are remarkable, but are perhaps incomplete as there “was just warlight and only blind barges were allowed to move along this stretch of river”.

The lack of continuity and the dramatic slowing of the momentum in the final two thirds of the book smothers the high adventure of the first third with nostalgia and sentimentality. Nathaniel takes a back seat, and the main characters seem to shrink into caricatures. But it is perhaps precisely because he consciously occludes himself from the narrative that we see Ondaatje’s world with greater acuity, where the world is lit with more than just warlight. But this clearer world is not necessarily a more enlightening one, nor it is particularly interesting one even though Nathaniel successfully pieces together his mother’s intelligence intrigues.

The Guardian’s Alex Preston describes the progression as a “knit into a work of fiction as rich, as beautiful, as melancholy as life itself, written in the visionary language of memory”, but more striking to me was the imbalance in the book. The shift in gears from first to second to third was jolting, as if Ondaatje could hardly wait to get done with the genre-fictionesque spy thriller to get back to slow, overwritten sepia-toned reminiscences of the past.

While the heart of the story is in the second and third parts of the book, it is the first part of the book where Ondaatje shows, unlike his previous writing, that he is no slouch in creating rich textured environments and characters, and pacey action sequences.

Verdict: While intriguing at times, the book feels imbalanced overall. (6.5/10)

Availability: Trade paperback, RM77.90

Special thanks to Times Distribution for an advance reading copy of the book. 

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Lit Recap: An Evening of Murakami-Inspired Music by WVC Malaysian Jazz Ensemble

It’s not often that Elaine and I are able to indulge in two of our great loves — reading and music — together at the same time. So when Tay Cher Siang from critically-acclaimed jazz band WVC Malaysian Jazz Ensemble proposed a Murakami-inspired performance at our store, it didn’t take us long to ask ‘When?’ and ‘Can we really do it?’ And do it we did.

On Wednesday Aug 15, WVC played to an intimate sold-out crowd of 40-something attendees at Lit Books. Featuring original music inspired by Japanese literary master Haruki Murakami and covers of songs mentioned in his novels (e.g. Star-Crossed Lovers and Danny Boy, among others), the band brought the much-loved stories to a new, higher level.

The connection of Murakami and jazz is evident — Murakami’s novels, like jazz, demand interpretation on the part of the reader. The playful presence of eccentric characters and surreal scenes demand that the reader conjure for themselves the significant and meaningful connections which are not always immediately evident. As most Murakami readers will readily concede, trying to ‘understand’ Murakami can be immensely frustrating. Because of his preoccupation with the subconscious and the unconscious, his characters are typically richly textured and range from the mundane to the supernatural.

Murakami’s readers, by being forced to tease through the neural maze of these rich personalities, become strangely familiar and emotionally invested in these characters who nevertheless retain an impenetrable sense of distance. And though these characters arrive at some kind of resolution in their inner lives, this sense of closure and completion is not reflected in their outer lives, which in turn preserves the distance felt by the reader. I interpret this to be  a deliberate artifice on Murakami’s part, as a comment on the vicissitudes of reality and outer life, as against the closed systems of internal life. Nevertheless, there is interplay between the two worlds: between inner and outer life, between conscious and unconscious thought, between the world of imagination and dreams, and the world of lived experience. 

This freedom and sense of play is endemic in jazz, which, of all genres of music, best incorporates the ideas of  spontaneity, unpredictability and free play. The occasional discordant note, the sudden change in tempo and the modulations from the various competing instruments and the dependence on the various players may sometimes seem chaotic, but it is, as the German philosopher Kant would call it, a “purposive” chaos. It is purposive in that there is a significant sense of agency behind the chaos; it is not random, but controlled. Jazz seems to have a purpose but to what end is uncertain. Kant calls this the “free play of the imagination and the understanding”, and this seems to suit both Murakami and jazz just fine.

WVC’s bandleader, composer and pianist Cher Siang, a self-confessed fan of Murakami’s writing, is a scholar of the Japanese master. To our ears, he has done wonderfully well to interpret Murakami as jazz, although he confesses as much himself that Murakami–a conservative jazz classicist, would find WVC’s music unbearable. We beg to differ on this point.

WVC Malaysian Jazz Ensemble will be releasing their third studio album in September 2018.