by Fong Min Hun
I seldom read through a book in one sitting, so I was surprised when I found myself fighting sleep to finish Janice Hallett’s The Appeal, a whodunnit written in the form of a modern epistolary novel. The quick and dirty synopsis: senior barrister Roderick Tanner QC has assigned two law students to review the materials of a done-and-dusted murder case. Tanner believes that the wrong person has been incarcerated, and wants some fresh eyes to review the case ahead of the upcoming appeal to cast new light on the matter. What follows is a series of emails, messages, press cuttings and correspondence from key individuals involved in the case.
It starts off with the return of Sam and Kel to the UK from Africa—the husband-and-wife duo are nurses who had spent the better part of the last decade working as overseas volunteers. They settle in a small, closed community led by Martin and Grace Hayward, both of whom jointly own the local golf club and chair the local theatre troupe, The Fairway Players. It becomes readily apparent that the troupe plays a central role in the community, and participation in the troupe is a quick way for newcomers to ingratiate themselves with the community.
Martin Hayward is acknowledged as the alpha of the community and runs his family and the Fairway Players with a firm hand. Things change suddenly when, after the announcement of the new play, Arthur Miller’s All My Sons, Martin announces that his two year-old granddaughter, Poppy, has developed a rare form of brain cancer. Her only hope is an experimental drug being developed in the US which is unavailable through conventional channels, and which will cost £250,000 to obtain through Poppy’s oncologist. But Sam, whose time in Africa has perhaps made her a more worldly person, smells a rat…
It may be difficult to get a firm grip on The Appeal at the start as the entire story is told through the written correspondence of the various characters. However, Hallett’s remarkable ability to get in the head of her characters and channel their quirks and biases through their emails and WhatsApp messages—difficult at the best of times—gives the story greater emotional texture than initially anticipated. Of course, we must also accept that her characters do selectively censor themselves in their correspondence, which raises questions about the reliability of their testimony. And some parts are just irresistibly funny: an exchange between the garrulous, but annoying, Isabel Beck and an uninterested Martin had me bursting out in laughter when Martin responds to Isabel’s novella of an email with a one word reply.
One thing: the book supposedly gives you enough information to figure out whodunnit before the big reveal at the end. I’m not sure if it does. But then again, I read it in one sitting so I might have been too tired, or just not clever enough, to figure it out. All in all, The Appeal is a gripping read, but perhaps not one for fans of dark Scandinavian detective noirs.
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