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Cures for Loneliness: Of Memoirs, Biographies and Stories from Elsewhere

By William Tham

Two books by the British writer, Olivia Laing, are curiously offbeat in their fusion of travelogues and memoir, which are best read back-to-back. The Trip to Echo Spring takes the uniquely American form of the road trip, to the Deep South and eventually the shoreline of the Pacific Northwest, filtered through her very British perspective, passing through towns and cities where writers ranging from Fitzgerald to Hemingway and Carver to Tennessee Williams drank away for a multitude of reasons. Very much like her first book, To the River, which weaves in a walk along the River Ouse and the stories associated with it, including the suicide of Virginia Woolf, Echo Spring contains elements of memoir, touching on relationships and a damaged childhood.

But it is in the third book, The Lonely City, where Laing’s fusion of facts and memoir is most concerted. She draws parallels not just between artists and the loneliness, but also her own sense of isolation in the wake of a jagged end to a relationship that left her alone in New York. For her, “[l]oneliness is personal and it is also political.” Her subjects, more focused and intimate than in her previous book, come to life in the pages. Through the text, she weaved together artists from various points of the 20th century, all of whom moved through New York at one point or another. Her biographical subjects – Andy Warhol, David Wojnarowicz, Edward Hopper and Klaus Nomi to name a few – all of whom battled loneliness in some form or another, amplified by the city.

The sense of isolation imposed by cities is curious, despite the fact that they crush people together. There is a facelessness to uninterrupted architecture, filled with people who have either call it home or are just transient visitors or newcomers. It breeds an aloofness that prevents the formation of the necessary human bonds that tie us together. We can be physically close but a psychological separation remains. Perhaps this is why Laing’s book hits so hard. I bought a copy of the book on a street that I had walked along for years, yet I never knew anything about the people who lived and worked on even the short stretch where the bookshop stood. And in an age of instant communication and digital media, of fleeting attention spans and the shallowness of online dating, Laing’s meditations on the counterintuitive sense of separation that the Internet imposed struck especially hard.

There was a curious sadness woven through the course of the narrative, which itself was interspersed with almost voyeuristic snatches into Laing’s own life as she navigated lost love and an escape from her own loneliness. Was it a temporary state? An endless trap with no way out?

Perhaps it was necessary for her to be temporarily alone to learn how the human heart and human nature operated. For her she arrived at two cures: “learning how to befriend yourself and understanding that many of the things that seem to afflict us as individuals are in fact a result of larger forces of stigma and exclusion, which can and should be resisted.”

William Tham is a Malaysian author of two books, Kings of Petaling Street, and The Last Days.

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Lit Review: ‘The Honjin Murders’ and ‘The Inugami Curse’ by Seishi Yokomizo

by Fong Min Hun

That the last few months have been stressful is an understated and moot statement so much so that the declaration needs no further elaboration. Escapism, therefore, was very much called for so far as my reading was concerned. As a result of which, anyone going through my recently-read list will find a substantial collection of pulp science fiction and detective novels, most of which were re-reads (familiarity is an effective, if temporary, balm for the soul). 

It was during this time that I came across the newly published translations of Seishi Yokomizo’s detective novels The Honjin Murders and The Inugami Curse by Pushkin Vertigo. (Full disclosure: despite being a fan of Japanese crime thrillers and murder mysteries, I was not at all familiar with the Yokomizo name despite there being a literary award named after him. This may be due to the fact that only one of his novels had been published previously — The Inugami Curse was released as The Inugami Clan in 2013 by a previous publisher.)

I was thrilled to learn that the books were set in inter-war/post-WWII Japan as I had just come off a Sherlock Holmes binge and was very much still in the mood for period detective fiction. Likewise, both books feature a brilliant young detective, Kosuke Kindaichi, who has a good shout of being lumped together with the greats such as Auguste Dupin, Poirot and, of course, Holmes himself. It comes as little surprise that Yokomizo was a self-declared fan of the popular mystery novels of Western authors, particularly John Dickson Carr, and the Honjin Murders, a locked-room mystery, is very much a tip of the hat in Carr’s direction.  

Picture this: the heir of the wealthy landowning Ichiyanagi family (former proprietors of a honjin — an inn frequented by warlords and other Japanese nobility in feudal Japan) and his new bride are found dead in their chambers on the night of their wedding. Both are stabbed to death and the murder weapon, a katana, is found blade down in a snowbank metres outside the chamber. On the days leading up to the double-murder, a mysterious and terrifying three-fingered man was spotted around the estate and making enquiries of the dead man. The manic playing of a koto (Japanese zither) could be heard in the nights leading up to the murder and on the murder night itself. Moreover, it takes only three fingers to play the koto… 

As with all good detective novels, it seems that everyone in the extended family — the brothers, cousin and mother included — has a motive to kill except for the youngest sister who, being a bit simple, seems to be the only one who is innocent. But she is an expert koto player and seems to know more than she can or will let on. The local police are baffled, suspecting everyone and no one in equal measure. Enter Kindaichi, an eccentric-looking young man who has only recently started his detective practice following a less than stellar start in life. With a string of successive cases under his belt and the endorsement of the influential adoptive father of the dead bride, Kindaichi goes to work on the family. 

The Honjin Murders is a wonderfully descriptive piece of period detective fiction replete with quirky family, mysterious bordering on supernatural suspense and numerous thrusts and parries between our hero detective and the unknown perpetrator. But as with all locked-room mysteries, much of the book’s success hinges on the big reveal of the murder mechanism at the end with three possibilities: the mechanism is not clever enough, the mechanism is just clever enough, or the mechanism tries to be too clever. I think we can safely scratch out the first possibility although I leave it to the reader to decide where the book fits in respect to the remaining two options. 

Having been introduced to Kindaichi, we encounter him again in The Inugami Curse, which is set immediately after Japan’s defeat in WWII. It is again an unhappy family that is the seat of all ills. The story proper begins with the repatriation of one of the potential heirs of the wealthy and influential Inugami family following the completion of his tour of duty in Southeast Asia which left him a broken and disfigured man. The patriarch of the family had died a few months prior leaving behind express instructions that his will remain unread until the entire family could gather together. 

But this was no gentle, wise old family head who expired; rather, it becomes immediately clear that there was a vicious streak in him that bore no love for either of his three daughters or their children. The will that is read is particularly divisive, with the fate of the bequest very much determined by the actions of a couple of outsiders including the granddaughter of a former benefactor and his illegitimate son by another, unrecognised woman. Moreover, the will is so structured that there is a very good chance that only one of the daughters would stand to inherit the fortune leaving the other two branches of the family very much out in the cold. 

With razor sharp claws honed by years of ambition and indifferent treatment by their father, the three vituperative daughters will go to any means to secure the substantial wealth and businesses of the Inugami clan for their branch of the family. Kindaichi is first called on to the scene by one of the lawyers involved in the case because of several failed attempts at the life of one of the players in the will; however, the lawyer is himself killed before he can divulge his findings to the detective. So Kindaichi stays on and becomes an indispensable tool to the local police when, one by one, the heirs to the fortune are found dead in mysterious circumstances. 

A quick google of The Inugami Curse reveals that it is one of Yokomizo’s more favoured novels with several movie adaptations made from it, and it is not difficult to see why. Compared to The Honjin Murders, Inugami is a more accomplished murder mystery that is made more complex by the competing motivations of the various actors in the novel. This may mean quite a few side plots and red herrings, but Yokomizo is masterful enough to tie up all the loose ends in a satisfying ending while maintaining a good level of suspense throughout the book. The Inugami Curse may also be the only detective novel which features a manhunt on skis, although this may just mean that I don’t read enough Scandi noirs. 

It’s difficult for a non-Japanese reader to really gauge Yokomizo’s influence on the genre, but a regular reader of Japanese crime thrillers should be able to feel the distant echoes. Both books are really good yarns, and I for one am looking forward to the other translations of Yokomizo sensei’s works promised by Pushkin Vertigo. 

Verdict: The Honjin Murders (7/10); The Inugami Curse (8/10)

Availability: RM52.90 for The Honjin Murders, and RM56.50 for The Inugami Curse — both in paperback

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Lit Review: ‘The Girl and the Ghost’ by Hanna Alkaf

by Elaine Lau

I stopped reading children’s books when I became a teenager and graduated to ‘older’ works such as western classics and crime fiction. It wasn’t until we opened Lit Books that I rediscovered middle-grade fiction and found to my utter delight a world replete with gems.

Many of these stories of adventure and hijinks are about meeting life’s difficulties and complexities with courage and hope. Good middle-grade fiction tackle weighty issues without dumbing it down and without being preachy. When it is done well, my god does it make my heart sing — and I reckon, it will you, too, dear adult reader, and not just your child. To quote WH Auden, “There are good books which are only for adults… but there are no good books which are only for children.”

When Malaysian author Hanna Alkaf revealed at the author event for her debut young adult novel, The Weight of Our Sky, at our store last year that her next book will be a children’s novel, I looked forward to it with not a small amount of excitement. The Girl and the Ghost is the novel in question, published this month by HarperCollins, and it is a deliciously chilling novel about family legacies, friendship, and jealousy, but also forgiveness, kindness, and courage.

The story begins with Suraya inheriting a pelesit, a familiar spirit from the witch grandmother whom she’s never met. A bit of a loner who grows up with an emotionally absent mother, Suraya grows up with the pelesit — whom she christens Pink — as her closest companion. Pink, in turn, watches over her obsessively, and sometimes with a little too much zeal.

So it happens that when Suraya befriends the new girl in school, Jing Wei, Pink reacts jealously and to the detriment of both girls. Things come to a head, eventually leading Suraya to divulge to her mother what’s been going on at which point her mother enlists the help of a pawang hantu, Encik Ali. But to their horror, Suraya and Jing Wei discover he has sinister designs for Pink. They take it upon themselves to help Pink return to where he came from so as to escape the clutches of Encik Ali. The two embark on an urgent mission where danger lurks at every turn and they find unexpected allies of the supernatural kind coming to their aid — a bit reminiscent of Neil Gaiman’s The Graveyard Book.

Hanna has crafted a story with verve, emotion, and empathy in The Girl and the Ghost, and reading it gave me all the feels. Be forewarned, however, that if you have a particularly sensitive child, the story gets pretty dark and gruesome in the final confrontation with the pawang. There’s a lot to unpack in the novel, as it examines heavy themes such as the harm of holding on to something even when it’s time to let go, the way jealousy poisons relationships, and how the avoidance of difficult or painful parts of our lives just makes things worse in the long run.

But there’s a lot of light as well. The precious gift of friendship is a key thread that runs through the novel. Jing Wei is the very portrait of a true friend, a Samwise Gamgee-type to Suraya’s Frodo Baggins who jumps with both feet in, come what may. There is also the tenacity of hope, bravery in the face of fear, and love in action.

Suraya as a character is bookish, kind and non-confrontational. She is the very definition of a good girl, “one who does as she’s told… who doesn’t like to make trouble for other people”, taunts the pawang at one point. But as it becomes clear, it isn’t that she’s afraid to fight, but that she’s one who chooses her battles — when it comes down to it, she will face demons to protect someone she loves.  

The Girl and the Ghost is a good book. And as Auden informs us, no, it is not just for children.

Verdict: 8/10

Availability: Paperback, RM49.90. Purchase here.

Special thanks to HaperCollins for an eARC of the book.

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Lit Review: ‘A Sprinkle of Sorcery’ by Michelle Harrison

by Elaine Lau

I picked up Michelle Harrison’s newly published middle-grade novel, A Sprinkle of Sorcery, with keen anticipation. The book is a follow-up to the absolutely delightful first novel in the series, A Pinch of Magic, which I enjoyed immensely and could not stop recommending to young readers at Lit Books.

In A Pinch of Magic, we are introduced to the three Widdershins sisters — there is the eldest and sensible one, Fliss; the feisty and adventurous Betty; and the youngest, Charlie, who’s sassy and fearless. The sisters live on an island called Crowstone and help their granny run the Poacher’s Pocket inn. They were condemned to never leave the island because of an ancient family curse, and the story revolves around the trio as they set about figuring out how to break this curse with the help of some magical family heirlooms.

A Sprinkle of Sorcery sees the Widdershins embark on a mystery-adventure when a mysterious girl who needs help appears at their doorstep accompanied by a glowing wisp and a magical hagstone. The girl, Willow, had escaped from the nearby island of Torment, where family members of those imprisoned for crimes are sent to.

Willow is adamant to prove her father’s innocence, and the Widdershins decide to help her. But then Charlie goes missing after being snatched away by two men masquerading as warders who were out to capture the escapee. Fliss and Betty are thrown into a perilous mission where they encounter fearsome pirates, a sunken smuggler’s ship, and a magical island that does not seem to exist on any map. It would take all their wits and every ounce of courage to overcome seemingly insurmountable challenges to help a complete stranger and find their sister.

Much like the first book in the series, Harrison combines a winning formula of strong girl characters, a suspenseful, pacey plot with a conundrum not too easily solved, and just enough surprises and twists to keep even a slightly jaded adult reader such as myself captivated throughout. Threaded with themes of sisterhood, friendship, and kindness, this rollicking fun read is just as good as the first novel. While it does make mention of some happenings from the first novel, you do not need to have read it in order to enjoy this one — A Sprinkle of Sorcery works as a standalone.

I very much enjoy Harrison’s breezy style of writing and loved that I genuinely did not know how the story was going to unfold — it was thrilling to be taken on this journey of wonder and discovery. Harrison has a knack for imaginative storytelling, even if the individual elements of the story are not at all unfamiliar. In her capable hands, she has woven these various popular tropes into a magical tale that feels wholly original.

Verdict: A thrilling, enchanting story that will delight children and adults alike. (8/10)

Availability: Paperback, RM49.90

Special thanks to Pansing Distribution for a review copy of the book.

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Lit Review: ‘The God Game’ by Danny Tobey

by Fong Min Hun

The God Game is a high-concept thriller that takes the well-used science fiction trope of runaway artificial intelligence and places it in a highly plausible contemporary setting: author Danny Tobey need not stretch his imagination very far to imagine a intelligence who, thanks to the Internet of Things, is omniscient and omnipresent (by hacking mobile phones and speakers) and omnipotent (what powers does a being with absolute control over electronic devices wield?). And what is God if not an intelligence that is omniscient, omnipresent and omnipotent?

The story follows a group of five high-school geeks — all of them outcasts and misfits — who muster together under the anachronistically-named group The Vindicators to seek redress and justice through pranks. The leader of the group is Charlie, a former honour student whose life has been turned upside down by his mother’s death; Vahni, an ambitious daughter of Indian immigrants with grand designs to attend Harvard; Kenny, a cello-playing, philosophy reading son of medical doctors; Alex, a troubled youth with more than skeletons in his closet; and Peter, an enigmatic rich kid with nihilistic tendencies. 

Everything kicks off when the group stumbles on the mysterious God Game, where players commune with a mysterious being who refers to itself as God. Created by a group of bored hackers who poured all existing literature related to gods across human history into an AI core, the virtual God takes it upon itself to play a direct role in the real world through its interactions with the game’s players and its ability to control pretty much any electronic device tenuously connected to the internet. 

This in itself isn’t a problem, except that this God AI, an amalgam of the various traditions, has an odd sense of morality and justice. Imagine if you will a schizophrenic being that, on the one hand, subscribes to gentle Christian love but simultaneously demands living sacrifice a la as would more violent gods. It also demands complete fealty from its players and rewards obedience with virtual currency “Goldz” and punishes defiance with demerit points known as “Blaxx”. With enough Goldz, players can “buy” abilities from the game such as the ability to spy on other people via their phones and mobile devices, while accumulating sufficient Blaxx will result in punishment — usually a beating, or even death, at the hands of other players who are motivated to do so by the game. 

It never becomes clear why the God AI makes specific demands of its players — God works in mysterious ways — but it becomes quickly apparent to our heroes that anything less than complete surrender would not suffice. Meanwhile, they have to navigate the tribulations of American teenage life — unrequited love, unwanted attention from popular jocks, parental expectations, etc. God offers them aids to help them deal with their own personal morasses, although everything has a price. They need to get out of the game and quick, but the game is not about to let them just leave.

Danny Tobey’s high-tech thriller The God Game is a peculiar novel. While it deserves high plaudits for its originality and keen insight of the dangers and ramifications of our increasingly interconnected world, it borrows extensively from overused teen tropes. As a result, the novel as a whole becomes a lot more ordinary, but not uninteresting. The characters, with one exception, are, I am sorry to say, one-dimensional and their motivations no more complex than those of an Archie Andrews or a character from a 90s teen drama. But it is an intriguing moral poser, and raises the question of what it means for us as moral actors if the supposed source of morality is a tangible experience in the world.

Verdict: 6.5/10

Availability: Trade paperback, RM79.90

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COVID-19 Service Update

SERVICE UPDATE AS AT 7/6/2020

Dear friends

We are still operating limited hours at the present time and will likely continue to do so until the government makes a decision on the movement control order. Here are our hours again:

Tuesday to Friday: By appointment between 1pm and 7pm
Saturday, Sunday and Public Holidays: 1pm to 7pm

We would like to thank everyone who has been so supportive of us during this challenging period. Thank you and we hope that you and yours continue to stay safe and healthy.

Some Frequently Asked Questions
Q. I can’t find the book ‘XXXX’ in your online store. Can you special order it in for me?
A: Yes, but we don’t know when we will receive regular supply of books at this point in time. We can still inquire with our distributors but we may not be able to obtain the book right away.

Q. Are you still getting new stock?
A: Yes, but there may be delays in obtaining new releases.

Q. Can you ship internationally?
A: Sadly, not at this point in time. Additionally, please be advised that international shipments are interrupted owing to the disruption in flight schedules resulting in longer-than-usual wait times.

Q. Why is there a cat on your page?
A: Her name is Houdini and she is the Favoured Cat of our household. We put her picture up because cat pictures always make people happy.

Q. This isn’t a very good FAQ. Where can I direct my questions?
A: You can message us on Facebook or Instagram, or send us an email at info@litbooks.com.my.

Thank you for your continued support.

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Introducing our Online Shop

Dear friends,

We hope and trust that you are staying safe and keeping well.

The restriction movement order (RMO) imposed by the government has meant that non-essential businesses like ours had to be shut down, and Lit Books has complied with this directive, closing our shop on 18th March 2020. Thankfully, e-commerce can continue as per usual–and indeed we have been fulfilling requests from customers who wrote in to us and we are so grateful for that–but the lack of a proper online shop limited the service we could provide to you.

During this past week, Elaine and I have been frantically putting together the infrastructure and hours of data entry to create a workable online shop. You can find the link on the top right corner of our website and it should take you to a basic storefront: You can add products to your cart, you can edit your cart, and you can checkout your orders. But unfortunately, we cannot take online payment (as we do not have an account with the appropriate payment authority yet) and we still rely on bank transfers for payment.

So here’s how it works:

  1. Add your selection(s) to the cart.
  2. View your cart to finalise your choices.
  3. Click the checkout button.
  4. There is a flat RM8 fee for shipping within West Malaysia and RM12 for East Malaysia. Shipping is free for purchases above RM200 for West Malaysia and RM250 for East Malaysia.
  5. At this point, you will receive instruction to bank in payment to our bank account and to send us a screenshot of the bank transfer record.
  6. While this happens, the item will be placed on ‘hold’ which means no one else can buy the item.
  7. The item will be on ‘hold’ for roughly an hour during which time you should be able to transfer the funds and send us the screenshot.
  8. We will complete the transaction and ship the item(s) out to you on our next shipping run.

Some questions you might have:

  1. Do we have to pay using a bank transfer?
    Yes, unless you don’t mind doing an eWallet transfer to my personal account. I can presently accept Touch N Go, Grab and BigPay. Message us on Facebook or Instagram if you’d like to arrange to do one of these alternative modes of payment. However, do checkout your item first so it will be held for you.
  2. How will you be shipping the books and how long will it take?
    We ship by PosLaju by default. During this past week, customers have reported receiving packages as early as the very next day and three days at the latest (within the Klang Valley). We can also arrange for shipping via Grab Delivery or via another e-hailing service. Again, get in touch with us to arrange for alternative shipping methods but please note that the shipment fees will change accordingly.
  3. I live nearby. Can I pick up the books from your shop?
    No, because we want you to stay at home. We’d hate for anyone to expose themselves to infection during this time and we would rather rely on the professional delivery people–whom we can’t thank enough–to handle this task.
  4. This FAQ didn’t answer all my questions. How can I get in touch with you?
    The best way to reach us at this time is to message us via Facebook or Instagram. Understandably, nobody is at the store at the present time to pick up the phone. Our Facebook page is http://www.facebook.com/mylitbooks and our IG handle is @mylitbooks.

One final note: A big THANK YOU to all our customers who have purchased books from us this past week. These are uncertain times for all business owners and prospects are opaque for a small book retailer such as us. Thank you also in advance to all those of you who are thinking of supporting us during this difficult time. Every little bit helps and is so much appreciated.

A quick verse to end this rambling post (one of my favourites):

“Hope” is the thing with feathers –
That perches in the soul –
And sings the tune without the words –
And never stops – at all –

And sweetest – in the Gale – is heard –
And sore must be the storm –
That could abash the little Bird
That kept so many warm –

I’ve heard it in the chillest land –
And on the strangest Sea –
Yet – never – in Extremity,
It asked a crumb – of me.

— Emily Dickinson

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Lit Revew: ‘Impractical Uses of Cake’ by Yeoh Jo-Ann

by Elaine Lau

Friends know that I’m a sucker for cake. I am also a sucker for books with interesting titles. And so, when I came across Yeoh Jo-Ann’s debut novel, Impractical Uses of Cake, winner of Singaporean publisher Epigram’s Fiction Prize 2018, I had to bite. And what a treat it turned out to be.

Different types of cake – yuzu coconut cream, lemon sponge, sugee, coffee pound, and orange chiffon, to name a few – feature throughout the novel, as the main character, 35-year-old English literature teacher Sukhin, is something of a cake fiend. He loves eating them, baking them, and sharing them. In one hilarious and all too relatable scene (to me, at least), Sukhin is out on a date with a woman who chooses an organic soy latte over cake for dessert, and he spirals into an internal monologue where it dawns on him that the love of cake is a criterion to be considered “his people”.

One person who does share his fondness for cake is Jinn, his former secondary school sweetheart whom he stumbles upon one afternoon in Chinatown. He discovers to his astonishment that Jinn is now living as a homeless person in cardboard boxes in an alleyway. She disappeared several years ago and he had taken her for dead. Seeing her again shakes him to the core.

Sukhin sets about to slowly unravel the mystery surrounding her initial disappearance and present situation, and he does so with the patience of a saint. He doesn’t demand answers right off the bat; he discerns that she will open up in her own time, on her own terms. Meanwhile, Sukhin finds himself fashioning ever more elaborate “shelter” out of cardboard boxes for Jinn and baking her cakes to sample. This beautiful portrayal of a gentle friendship, of what it means to be there for someone, is startling and heartwarming to behold.

The novel also touches on this whole notion of seeing the unseen – both in the sense of discovering Jinn again, but also in the broader sense of the urban homeless, an invisible segment of Singapore society. More pointedly, the novel deftly explores how life isn’t just what happens to you but what you make of it, and how the only way to truly live is according to your authentic self, even if the choices you make seem nonsensical to the rest of the world.

Yeoh’s writing sparkles with wit and empathy in this poignant, quirky novel told in an unhurried pace that’s part of its charm. Sukhin as a character is likeable, and I appreciated the literary references peppered throughout the book (he is, after all, a literature teacher).

Like a good lemon pound cake (a personal favourite of mine), this novel has substance but isn’t dense. It strikes the perfect balance between sweetness and tartness, and it is tender and charming without being saccharine. The story gives you plenty to chew on but doesn’t sit heavy on the stomach.

Verdict: A sensitive, lovely tale with a touch of whimsy (8/10)

Availability: Paperback, RM45

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Five books on women by women to read this month

In The Second Sex, French philosopher Simone de Beauvoir wrote that “one is not born, but rather becomes, a woman”. Woman-ness, accordingly, is an existential state that follows upon the myriad experiences that are specific — women’s experience, so to speak. Though this philosophical insight is not unproblematic, there can be little argument that there is a uniqueness to the perspectives and experiences of women (though this author also acknowledges that the assumption of uniqueness presupposes a patriarchal normativity which is again troubling). We celebrate International Women’s Day in March and we do so by highlighting some extraordinary women and the way in which they have brought their own unique insight into a variety of activities: travel, parenthood, grief, data analysis and, of course, storytelling.

Stories of the Sahara by Sanmao (RM74.90)
Chen Mao-Ping , or better known by her pen name Sanmao (三毛), was a Taiwanese travel writer who is instantly recognisable to her legions of Chinese reading fans who have been inspired to dream of lives less ordinary. An irrepressible writer and adventurer — the book opens with the following line: “When I arrived in the desert, I desperately wanted to be the first female explorer to cross the Sahara” — Stories of the Sahara is a testament to Sanmao’s spirit and timeless romanticism of adventure and discovery. Elegantly penned, the book invites the reader to share in Sanmao’s experiences of love and loss, freedom and peril, in a voice that deftly dances from sharp wit to languorous expression. The book was first published in 1976 to immediate acclaim, and it is inexplicable that it has taken more than 40 years for it to have been translated into English. Sanmao’s voice fills a lacuna in the travel writing genre which continues to be dominated by the white, male voice.

Motherhood by Sheila Heti (RM59.90)
Sheila Heti’s Motherhood is a powerful novel that follows the life of Heti’s unnamed writer/narrator as she struggles with the question of whether or not she wants to have children. For the narrator, she recognises that the question has as much to do with externalities as it does with her own existential struggles: with her insecurities, her sense of authentic self and her uncertain impulses and feelings of motherhood. Riven with ambivalence, she decides to pour her anxiety into a book in hopes that the end product may give her some clarity on what she truly wants. The book takes the form of a dialogue with three coins, which are flipped to give her yes or no answers to questions and concerns. The narrator’s struggle with motherhood — realising that something is irretrievably lost however she chooses, and desperately hoping that that which she loses is not irredeemable — is couched in Heti’s intimate prose which may very well be a reflection of her own struggle with potential parenthood.

The Way Through the Woods by Long Litt Woon (RM99.90)
Following the sudden death of her husband Eiolf, author and anthropologist Long Litt Woon finds herself bereft and “in free fall… I, who had always been in command and in control”. Disoriented without her partner of 32 years, Long discovers solace out on a walk one day and literally stumbles on the one thing that would lead her out of her “tunnel of grief”: mushrooms. Long, a Malaysian by birth and a Norwegian by marriage, has written a monograph on mycology, a personal grief diary and a mushroom cookbook, and woven them together into a compelling narrative that moves nimbly from one subject to the next. The books treat each subject discreetly (and are colour-coded to help the reader identify the appropriate sentiment with which to treat the paragraphs–the true mark of a scientist) which, rather than interrupts the pace of the book, creates a unique structure where the personal, the scientific and the culinary overlap and intersect. The book reveals a relationship that was at once united by love, but also by a shared spirit of adventure and scientific curiosity.

Invisible Women by Caroline Criado Perez (RM84.90)
“Instead of believing women when they say they’re in pain, we tend to label them as mad. And who can blame us? Bitches be crazy, as Plato famously said.” And hysterical pain is only one of many examples of the way that the androcentric world continues to marginalise and delegitimise women’s experience. Invisible Women, which won the Financial Times and McKinsey Book of the year prize for 2019, is a revelatory monograph that uncovers — and, in some cases, merely points — at the way that inventions, policies, workplaces and the like fail to take into account women’s experience in their conception and development. Central to Perez’s thesis is the claim that the fundamental evidential unit of experience, datum, is ultimately gender-biased, flying in the face of the long-held faith in the objectivity of scientific research. Seatbelts, school admissions, municipal policies on the clearing of snow — nothing escapes Perez, and they are exhaustively revealed to be fundamentally gender-biased in her excellently researched book.

The Doll Factory by Elizabeth Macneal (RM75.90)
Elizabeth Macneal’s evocative debut historical fiction set in Victorian London is an intoxicating tale of obsession and pursuing one’s passion. Iris works as a painter of dolls at Mrs Slater’s Doll Emporium but harbours ambitions to be a real painter, and she secretly does so in the cellar at night after everyone is asleep. When Iris is presented with the opportunity to model for pre-Raphaelite artist Louis Frost, she agrees on the condition that he teach her to paint. Even as she is finally living her dream, her life is about to be turned upside down due to Silas Reed, owner of a curiosities shop and a collector entranced by the strange and beautiful, whose chance meeting with the red-haired beauty at the Great Exhibition sets him on a dangerous path fuelled by obsession. The novel is a bit of a slow burner at first, but it picks up halfway through to unfurl a series of nail-biting, shocking twists to make for a truly engrossing read.

This article appears in the March 2020 issue of FireFlyz, the in-flight magazine of Firefly airlines.

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Lit Review: ‘The Mercies’ by Kiran Millwood Hargrave

by Elaine Lau

After having conquered the world of children’s fiction, British novelist Kiran Millwood Hargrave sets out to make her mark in adult fiction with The Mercies, a historical novel that throws into sharp relief the struggles of women forced to live lives dictated by men, and the perils of self-righteousness.

The novel is based on the witch trials that took place in 1621 in Vardø, Norway, where more than 91 women as well as Sámi men were found guilty of witchcraft and put to death. At the site today stands a memorial by Louise Bourgeois and Peter Zumthor to mark the tragedy which itself is the the main catalyst of Hargrave’s novel.

At its heart, The Mercies is about the complex lives of women told through the lens of two very different ladies, Maren and Ursula, or Ursa. The novel begins on Christmas eve, 1617, in the remote fishing village of Vardø, where a sudden, ferocious storm claims the lives of 40 fishermen out at sea, leaving the women of this tight-knit community reeling in shock and horror. Among them is Maren, whose betrothed, brother, and father all perished in the storm. In the following months, led by the feisty Kirsten, Maren and the women take on tasks that are usually the purview of men, such as going out to sea to fish. Even though it is a matter of survival, Pastor Kurtsson (who was sent to shepherd the community after the tragedy) and a few of the women disapprove and deem it improper for a woman to do. Kirsten, Maren and et al carry on, regardless, and the women thrive in their new reality without their men.

The narrative then switches to Ursa, a well-bred young woman from the city of Bergen in the south who is made to marry a man chosen by her father, the sanctimonious Absalom Cornet. He has just been appointed the new commissioner of Vardø, and the couple set off for the north soon after the nuptials. Ursa is ill-prepared for her new life as wife to a man who has little regard for her other than in the bedroom, and is also clueless at keeping house having grown up with servants. She turns to Maren for help, and Maren on her part finds herself irresistibly drawn to Ursa. The two soon become inseparable.

Meanwhile, the commissioner’s true purpose for being appointed to Vardø is made chillingly clear: he is to root out witchcraft and all who practise it. Some of the women in the community, namely those who were opposed to Kirsten and her taking charge, are only too eager to help Cornet along and take it upon themselves to condemn the other group of women, leading to devastating outcomes.

“[Maren] had thought she had seen the worst from this harbour, thought nothing could rival the viciousness of the storm. But now she knows she was foolish to believe that evil existed only out there. It was here, among them, walking on two legs, passing judgment with a human tongue.”

Parallels can certainly be drawn with what we see in today’s “witch hunts” that often take place on social media. With a fervour fuelled by self-righteousness, keyboard warriors draw conclusions based on suspicion and scant knowledge, and proceed to hang the accused out to dry, confident of their judgment. The Mercies is a timely caution against this treacherous path that is all too easy to tread, and the harm it causes.

Hargrave has written a surefooted novel that, while a bit slow in parts, makes for an absorbing, if sobering read. You feel for both Maren and Ursa and their individual as well as collective struggles as women bound by the dictates of society and by men. But perhaps the most heartbreaking thing of all is the depiction of women rising against other women.

In an interview with Kirkus, the author reveals that she did not want to focus on the violence of the trials but on the lives of women. She says, “I’m always quite queasy when I read a witch trial book because it does feel voyeuristic, and it does feel like you’re luxuriating in the violence being done to women. I’m also interested in how you get to that stage and I wanted the propulsion to come not through these kind of unimaginable acts [of violence], but through very imaginable acts.”

Verdict: The ending feels a bit rushed but the solid main characters and intriguing story more than make up for it. (7/10)

Availability: Trade paperback, RM79.90. Purchase here.

Special thanks to Pansing Distribution for an advance review copy of the book.