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Lit Review: ‘The Minorities’ by Suffian Hakim

Who: Suffian Hakim is a Singaporean writer whose first book Harris bin Potter and the Stoned Philosopher became an instant cult favourite. The Minorities, another parody, is his second book published by Singapore-based Epigram. Epigram will also be re-releasing Haris bin Potter later in the year.

What: The Minorities is the story of an unlikely group of housemates, each of whom are haunted by their metaphorical ghosts and demons before they encounter a real, true-to-life pontianak (vampire of Malay folklore), which disrupts their domestic tableau.

The story is told from the perspective of our unnamed protagonist, a Jewish-Muslim Chinese-Malay man whom we are told has a unique and strange moniker which is never revealed to us. We find out early in the book that our protagonist is reeling from the recent death of his father, which has in turn planted in him a deeply rooted obsession with getting his father’s ghost to haunt him. Taking his late father’s final warning to heart — “If you do anything stupid in here, like bringing home whores, I swear to Allah that I will haunt you and kill any ghostbusters you’re gonna call” — our protagonist proceeds to engage in any number of whorish activities.

Despite his questionable motives, he is at the core, a compassionate chap and turns his house into a sanctuary of sorts for the runaways that he encounters. His unlikely housemates — lab colleague Shanti, a Bangladeshi foreign construction worker named Cantona and foreign Chinese sewerage engineering worker Tights — are fleeing their respective pasts in search of brighter futures, and somehow find their fates entwined with each other and the unnamed protagonist. They are steadily making progress towards a better life when everything is derailed by an unfortunate shit in the woods.

Why: Reading Suffian Hakim’s The Minorities was probably the most fun I’ve had reading a novel in a while, which caught me by surprise. Of greater surprise was how I came to feel that the novel, despite being a parody or perhaps because of the fact of its being parody, was a more authentic expression of our regional voice than other purportedly serious literary titles from the region. I acknowledge that this is a dangerous claim to make; please note that I am not saying that The Minorities is the best literary work to emerge from the region. What I am saying is that The Minorities feels like home in ways that other books fail to do.

To be fair, the previous statement, if true, is more likely a reflection on the reader than the book itself. Malaysians, particularly those such as myself who do not have strong identifications with their ethnic grouping, gravitate towards an identity that is a pastiche of various cultures. The pastiche that emerges exaggerates features borrowed from the contributing cultures, which is why the line by one of the characters in the middle of the novel — “The power of Tights compels you!” and “dejan summerknock!” — sent me into a laughing fit when I was reading in bed next to my bemused wife.

The entirety of The Minorities, from its structure to its dialogue and plot-line, is parodic. In the book, you will find:

  • A quest
  • Supernatural figures both divine and demonic (mostly demonic)
  • A literal and metaphorical MacGuffin (which are interestingly the same thing)
  • A scene or two straight outta Bollywood
  • A battle royale ala American Gods

The Minorities is a fun book. It probably won’t make you stop and think about ‘serious stuff’ like labour diaspora and the impact of displacement onto the psyche of foreign labourers and such. But then again, it just might. (No, it probably won’t).

Verdict: Fun, compulsive, whimsical, creative, unpretentious — the most fun I’ve had with a book in a while. (9/10)

Availability: Trade paperback, RM69.90

Nota Bene: Suffian will be appearing in our store in July to talk about The Minorities and also the re-release of Haris bin Potter. Keep watching this space for more information coming up!

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Lit Review: ‘Our Castle by the Sea’ by Lucy Strange

Who: After stints as an actor, singer and storyteller, Lucy Strange became a secondary school teacher and writer of middle-grade historical fiction. Her first book, The Secret of Nightingale Wood, received high praise and her second, Our Castle by the Sea, is the subject of this review.

What: It’s 1939, and England is on the cusp of World War II. Twelve-year-old Petra (Pet) and her family — older sister Magda (Mags), her pa and mother (Mutti) — are lighthouse keepers in the coastal village of Stonegate. Unlike her spirited sister, Pet isn’t particularly brave and is given to believing in myths and legends.

As war encroaches upon their small community, Pet’s family gets caught up in a plot that threatens to tear them apart. Mutti, a German immigrant, is packed off to an internment camp for “enemy aliens” as a matter of national security. Mags becomes increasingly secretive and evasive, and her pa is distracted and distant. It is up to Pet to muster every ounce of courage to uncover the truth and do what she can to set things right.

Why: There is much to unpack in this beautifully written, atmospheric novel — it blends mystery, intrigue and family dynamics with a protagonist, Pet, who starts out quiet and timid but because of the extraordinary circumstances she gets thrown into, becomes a lass of steely resolve by the novel’s end.

The story begins with the telling of a local legend of four sisters, who traded their souls for the safe return of their father lost at the treacherous sandbank, the Wyrm. They were turned into stone when their wish was fulfilled. This myth, the self-sacrifice and bravery of the girls, is embedded in Pet’s psyche and colours her perception and interpretation of events in the book. I love how Strange weaves myth into the fabric of the story because history and identity as a people and culture is as much about real events as it is about the myths and legends passed down through the ages.

The book affords wonderfully nuanced explorations on the themes of love, loyalty and sacrifice, and the way fear and racism can drive a person to do crazy things; World War II is the perfect foil for this. Through the actions of her parents, Pet observes the price of true sacrifice. When acts of sabotage start happening in the village, Pet learns the painful lesson that sometimes, people are not who they may seem, and the enemy within is often more insidious than the enemy without.

The author is masterful at evoking the time and place, and in bringing out the gamut of emotions portrayed in the book through her rich, sensitive prose. Meanwhile, Pet as a character is endearing and wise beyond her years. The build-up of the mystery and suspense makes it a delicious page-turner.

Quotable quote: “If you were torn between loyalty to your country and love for your family, what would you choose?”

Verdict: An evocative, richly rendered historical fiction full of depth of characters and plot (9/10)

Reading level: Ages 10 and up

Availability: Paperback, RM41.90

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Five biographies and memoirs to dive into

The biography, rightly, stands as a sub-genre of its own within publishing and literary circles. At once a descriptive report as well as a work of psychoanalysis, the biography at its best digs deeply into the motivations and thinking of another person, replete with their biases, prejudices and preconceptions, to edify and illuminate thought processes. They are, therefore, windows into the minds of others providing explanation and justification for their actions in the tangible world. As a species, we have always been interested in the lives of others. Although no biography offers a complete perspective of the mental workings of another individual, they nevertheless, provide valuable insights into their hows and whys. The following titles are our picks.

Leonardo da Vinci by Walter Isaacson (RM59.95)
Walter Isaacson, the acclaimed biographer whose previous subjects include Albert Einstein, Benjamin Franklin, and Steve Jobs, adds to his list of geniuses who changed the world with his 2017 biography of Leonardo da Vinci. Now available in paperback, Isaacson masterfully weaves the maestro’s artistic and scientific life to reveal a man whose passion for one is intrinsically linked to the other. Drawing from thousands of pages from Leonardo’s notebooks and contemporary discoveries of his life and work, Isaacson’s portrait is one of a misfit fundamentally defined by his burning curiosity in the subjects of anatomy, engineering, art and theatre. This new work by Isaacson illuminates the importance of questioning received wisdom whilst keeping an open and imaginative mind as the key ingredients of creativity.

Serving the Servant: Remembering Kurt Cobain by Danny Goldberg (RM118.90)
Is 25 years long enough to determine if Cobain was a genius or not? Was Smells Like Teen Spirit an anthem for a generation of disaffected youth or simply the angst-ridden ejaculation of a bored cynic? Was he a genius or did he simply die young and popular? The debate over the legitimacy of Nirvana’s lead man continues to rage, but what is undeniable is his status as a cultural icon further cemented by the act of his suicide. Although Cobain is typically portrayed as a reluctant individual caught in the tailspin of his own rising star, Goldberg, Nirvana’s manager from 1991 to 1994, adds a new dimension to the story. In Serving the Servants, Goldberg draws on his own interaction with Cobain as well as on previously unreleased interviews to illuminate Cobain’s brilliance, compassion and ambition, and sheds new light on why Cobain endures till today.

Ernest Hemingway by Mary Dearborn (RM84.95)
Few writers are celebrated with as much bravado as machismo as Ernest Hemingway whose CV includes stints as a war-time ambulance driver and other intrigues, big game safari hunter, amateur boxer, inveterate drinker and womaniser, and writer. Even fewer bring the lessons and virtues (if they can be called virtues) from these preoccupations to bear on their writing, and far fewer can make something as beautiful and heart-wrenching as Hemingway does in his novels and short-stories. Mary Dearborn’s 2017 book is the first full biography of Ernest Hemingway in more than 15 years and the first to be written by a woman. Drawing on never-before-used material, Dearborn creates a rich and nuanced portrait of this enigmatic and flawed artist, who was driven and doomed by the insatiable demons that haunted him throughout his life.

The Pianist from Syria: A Memoir by Aeham Ahmad (RM75.50)
A memoir of a war-refugee who escapes from war-torn Syria to Germany, The Pianist is a contemporary account of the continuing and lingering impact of the conflict in the Middle East. Aeham Ahmad was born the son of a blind violinist and carpenter who taught him the piano and a love for music from an early age. A second-generation refugee — his grandparents and father were forced to flee Israel and seek refuge from the Israeli–Palestinian conflict — Aeham’s family built a life in Yarmouk, an unofficial camp to more than 160,000 Palestinian refugees in Damascus where family and music were their only haven. However, any plans to wait out the war in their new home would be disrupted by a new conflict in Syria, forcing Aeham to leave his family behind as he sought to find a new place for them to call home and build a better life. Told in a raw and poignant voice, The Pianist is a gripping portrait of one man’s search for sanctuary and of the bond between father and son.

The Valedictorian of Being Dead by Heather Armstrong (RM89.90)
The Valedictorian is an honest and irreverent memoir by Heather B. Armstrong of her experience as one of only a few people to participate in an experimental treatment for depression involving 10 rounds of a chemically induced coma approximating brain death. Armstrong has struggled with depression for years, but when she hit rock bottom in 2016, she decided to risk everything by participating in the experimental clinical trial. In her memoir, she recalls the torturous 18 months of suicidal depression she endured and the month-long experimental study in which doctors used propofol anesthesia to quiet all brain activity for a full fifteen minutes before bringing her back from a flatline — effectively a brain reset. The experience was taxing for both Armstrong and her family, and seems to have worked since she has yet to experience an episode of suicidal depression since. Disarmingly honest, self-deprecating, and scientifically fascinating, The Valedictorian brings to light a groundbreaking new treatment for depression.

This article appears in the May 2019 issue of FireFlyz, the in-flight magazine of Firefly airlines.