Posted on Leave a comment

World Book Day 2018: It’s all Greek to me

Falling on April 23 annually ever since it was instituted in 1995 is the UNESCO World Book and Copyright Day, which pays tribute to books and authors. The date was chosen as it is a symbolic one for world literature: Shakespeare, pre-eminent Spanish novelist Cervantes, and Spanish chronicler Inca Garcilaso de la Vega all died on this day in the year 1616. April 23 is also the date that marks the birth or demise of other prominent authors, such as French novelist Maurice Druon, Icelandic writer Halldór K. Laxness, Russian-American novelist Vladimir Nabokov, Catalan author Josep Pla and Columbian writer Manuel Mejía Vallejo.

Since 2000, a city is designated World Book Capital for a one-year period beginning on April 23 each year. The chosen city undertakes to uphold the World Book Day’s impetus through its own initiatives. This year, Athens, Greece has been conferred the honour. According to the website, “Athens was chosen for the quality of its activities, supported by the entire book industry. The aim is to make books accessible to the city’s entire population, including migrants and refugees.”

And so it is that we have chosen a Greek theme to commemorate World Book Day at Lit Books. The legacy of classical Greek literature is immense — from Homer’s The Iliad and The Odyssey to Sophocles’ Antigone, these enduring, epic works of heroes, gods and tragic lives continue to dominate contemporary literary imagination. The literary tropes derived from these Greek classics remain as compelling today as they were some two millennia ago.

Here are four novels inspired by classical Greek literature, and one, a modern Greek classic.

Circe by Madeline Miller
In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. But Circe is a strange child — not powerful, like her father, nor viciously alluring like her mother. Turning to the world of mortals for companionship, she discovers that she does possess power — the power of witchcraft, which can transform rivals into monsters and menace the gods themselves.

Threatened, Zeus banishes her to a deserted island, where she hones her occult craft, tames wild beasts and crosses paths with many of the most famous figures in all of mythology, including the Minotaur, Daedalus and his doomed son Icarus, the murderous Medea, and, of course, wily Odysseus.

But there is danger, too, for a woman who stands alone, and Circe unwittingly draws the wrath of both men and gods, ultimately finding herself pitted against one of the most terrifying and vengeful of the Olympians. To protect what she loves most, Circe must summon all her strength and choose, once and for all, whether she belongs with the gods she is born from, or the mortals she has come to love.

With vivid characters, mesmerising language and page-turning suspense, Circe is an intoxicating epic of family rivalry, palace intrigue, love and loss, as well as a celebration of indomitable female strength in a man’s world. (Trade paperback, RM65.90)

The Song of Achilles by Madeline Miller
This unique retelling of the legend of Achilles and the Trojan War is marvellously conceived and a thrilling page-turner. Patroclus, an awkward young prince, has been exiled to the court of King Peleus and his perfect son Achilles. Despite their differences, the boys develop a tender friendship, a bond which blossoms into something deeper as they grow into young men. But when Helen of Sparta is kidnapped, Achilles is dispatched to distant Troy to fulfil his destiny. Torn between love and fear for his friend, Patroclus follows, little knowing that the years that follow will test everything they hold dear. (Paperback, RM55.90)

House of Names by Colm Tóibín
Named a Best Book of 2017 by NPR, The Guardian, The Boston Globe and The Washington Post, this is the tale of Clytemnestra in ancient Mycenae, the legendary Greek city from which her husband King Agamemnon left when he set sail with his army for Troy. Clytemnestra rules Mycenae now, along with her new lover Aegisthus, and together they plot the bloody murder of Agamemnon on the day of his return after nine years at war.

Judged, despised, cursed by gods, Clytemnestra reveals the tragic saga that led to these bloody actions: How her husband deceived her eldest daughter Iphigeneia with a promise of marriage to Achilles, only to sacrifice her; how she seduced and collaborated with the prisoner Aegisthus; how Agamemnon came back with a lover himself; and how Clytemnestra finally achieved her vengeance for his stunning betrayal — his quest for victory, greater than his love for his child.

Tóibín brings a modern sensibility and language to an ancient classic, and gives this extraordinary character new life, so that we not only believe Clytemnestra’s thirst for revenge, but applaud it. Told in four parts, this is a fiercely dramatic portrait of a murderess, who will herself be murdered by her own son, Orestes. It is Orestes’s story, too: his capture by the forces of his mother’s lover Aegisthus, his escape and his exile. And it is the story of the vengeful Electra, who watches over her mother and Aegisthus with cold anger and slow calculation, until, on the return of her brother, she has the fates of both of them in her hands. (Trade paperback, RM72.50)

Home Fire by Kamila Shamsie
Named Book of the Year 2017 by The New York Times, The Guardian, The Telegraph, The Observer, The New Statesman and The Evening Standard, this novel is a contemporary reimagining of Sophocles’ Antigone.

After years spent raising her twin siblings in the wake of their mother’s death, Isma is finally free, studying in America, resuming a dream long deferred. But she can’t stop worrying about Aneeka, her beautiful, headstrong sister back in London, or their brother, Parvaiz, who’s disappeared in pursuit of his own dream: to prove himself to the dark legacy of the jihadist father he never knew.

Then Eamonn enters the sisters’ lives. Handsome and privileged, he inhabits a London worlds away from theirs. As the son of a powerful British Muslim politician, Eamonn has his own birth right to live up to — or defy. Is he to be a chance at love? The means of Parvaiz’s salvation? Two families’ fates are inextricably, devastatingly entwined in this searing novel that asks: What sacrifices will we make in the name of love?

Home Fire is an urgent, fiercely compelling story of loyalties torn apart when love and politics collide. (Trade paperback, RM74.90)

Zorba the Greek by Nikos Kazantzakis, translated by Peter Bien
This stunning new translation of the classic brings the clarity and beauty of Kazantzakis’ language and story alive.

First published in 1946, Zorba the Greek, is, on one hand, the story of a Greek working man named Zorba, a passionate lover of life, the unnamed narrator who he accompanies to Crete to work in a lignite mine, and the men and women of the town where they settle. On the other hand it is the story of God and man, The Devil and the Saints; the struggle of men to find their souls and purpose in life and it is about love, courage and faith.

Zorba has been acclaimed as one of the truly memorable creations of literature — a character created on a huge scale in the tradition of Falstaff and Sancho Panza. His years have not dimmed the gusto and amazement with which he responds to all life offers him, whether he is working in the mine, confronting mad monks in a mountain monastery, embellishing the tales of his life or making love to avoid sin. Zorba’s life is rich with all the joys and sorrows that living brings and his example awakens in the narrator an understanding of the true meaning of humanity. This is one of the greatest life-affirming novels of our time.

Part of the modern literary canon, Zorba the Greek, has achieved widespread international acclaim and recognition. This new edition translated, directly from Kazantzakis’s Greek original, is a more faithful rendition of his original language, ideas, and story, and presents Zorba as the author meant him to be. (Trade paperback, RM79.90)

**Take 10% off these titles until April 30.

Posted on Leave a comment

Congratulations to GTLF for winning the LBF’s Literary Festival Award!

We are thrilled by the news that the George Town Literary Festival has won the London Book Fair’s Literary Festival Award 2018! This is such a positive affirmation of the literary scene in Malaysia, and a tribute to the hard work of the festival’s many tireless organisers. Our heartiest congratulations!

“This is a win for culture, for literature, for free speech and expression. This is a win for discourse, diversity and conversation. This is a win for Penang, for George Town, for all who love literary festivals and for all who love our festival. This is a win for Malaysia, for what we are, and what we can be. This is a win for all, for all of us who love the word and what it represents to us, to SE Asia, to the world. This is a huge honour for the work we have done, and the work that we will continue to do. Thank you ALL so very, very much,” 

Bernice Chauly, Festival Director of the George Town Literary Festival.

 

Posted on Leave a comment

Pulitzer Prize winning novels to dive into

The man for which the Pulitzer Prize is named after, Joseph Pulitzer, led an inspiring life and left behind an enduring legacy. Born in Hungary on April 10, 1847, he made his way to American shores as a young man even though he barely knew any English (he was, however, fluent in German and French). While working odd jobs in the city of St. Louis, he taught himself English and the law, studying in the city’s Mercantile Library.

From these humble beginnings, he rose to become a stalwart in American journalism. He is described on Pulitzer.org as “the most skilful of newspaper publishers, a passionate crusader against dishonest government, a fierce, hawk-like competitor who did not shrink from sensationalism in circulation struggles, and a visionary who richly endowed his profession. His innovative New York World and St. Louis Post-Dispatch reshaped newspaper journalism. Pulitzer was the first to call for the training of journalists at the university level in a school of journalism. And certainly, the lasting influence of the Pulitzer Prizes on journalism, literature, music, and drama is to be attributed to his visionary acumen.”

When he wrote his will in 1904, he made provisions for the establishment of the Pulitzer Prizes to reward excellence in journalism and letters — in later years, drama and music were added as well. Specifically on literature, the Pulitzer website has this caveat: “The board has not been captive to popular inclinations. Many, if not most, of the honoured books have not been on bestseller lists.” Nevertheless, these books remain essential reading for any person who wishes to fully understand the canon of western literature.

Following is the selection of Pulitzer Prize-winning novels available at Lit Books.

All the Light We Cannot See by Anthony Doerr
2015 Pulitzer Prize winner
Marie-Laure lives with her father in Paris near the Museum of Natural History, where he works as the master of its thousands of locks. When she is 6, Marie-Laure goes blind and her father builds a perfect miniature of their neighbourhood so she can memorise it by touch and navigate her way home. When she is 12, the Nazis occupy Paris and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great-uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel.

In a mining town in Germany, the orphan Werner grows up with his younger sister, enchanted by a crude radio they find. Werner becomes an expert at building and fixing these crucial new instruments, a talent that wins him a place at a brutal academy for Hitler Youth, then a special assignment to track the resistance. More and more aware of the human cost of his intelligence, Werner travels through the heart of the war and, finally, into Saint-Malo, where his story and Marie-Laure’s converge.

Deftly interweaving the lives of Marie-Laure and Werner, Doerr illuminates the ways, against all odds, people try to be good to one another. Ten years in the writing, All the Light We Cannot See is a magnificent, deeply moving novel. (RM49.90)

The Goldfinch by Donna Tartt
2014 Pulitzer Prize winner
A young boy in New York City, Theo Decker, miraculously survives an explosion that takes the life of his mother. Alone and determined to avoid being taken in by the city as an orphan, Theo scrambles between nights in friends’ apartments and on the city streets. He becomes entranced by the one thing that reminds him of his mother: a small, mysteriously captivating painting that soon draws Theo into the art underworld. Composed with the skills of a master, The Goldfinch is a haunted odyssey through present-day America. It is a story of loss and obsession, survival and self-invention, and the enormous power of art. (RM49.90)

Olive Kitteridge by Elizabeth Strout
2009 Pulitzer Prize winner
At times stern, at other times patient, at times perceptive, at other times in sad denial, Olive Kitteridge, a retired schoolteacher, deplores the changes in her little town of Crosby, Maine, and in the world at large, but she doesn’t always recognise the changes in those around her: a lounge musician haunted by a past romance; a former student who has lost the will to live; Olive’s own adult child, who feels tyrannized by her irrational sensitivities; and her husband, Henry, who finds his loyalty to his marriage both a blessing and a curse.

As the townspeople grapple with their problems, mild and dire, Olive is brought to a deeper understanding of herself and her life — sometimes painfully, but always with ruthless honesty. Olive Kitteridge offers profound insights into the human condition — its conflicts, its tragedies and joys, and the endurance it requires. (RM39.90)

The Brief Wondrous Life of Oscar Wao by Junot Diaz
2008 Pulitzer Prize winner
Things have never been easy for Oscar, a sweet but disastrously overweight, lovesick Dominican ghetto nerd. From his home in New Jersey, where he lives with his old-world mother and rebellious sister, Oscar dreams of becoming the Dominican J. R. R. Tolkien and, most of all, of finding love. But he may never get what he wants, thanks to the Fukú — the curse that has haunted the Oscar’s family for generations, dooming them to prison, torture, tragic accidents, and, above all, ill-starred love. Oscar, still waiting for his first kiss, is just its most recent victim.

Diaz immerses us in the tumultuous life of Oscar and the history of the family at large, rendering with genuine warmth and dazzling energy, humour, and insight the Dominican-American experience, and, ultimately, the endless human capacity to persevere in the face of heartbreak and loss. (RM35.50)

The Road by Cormac McCarthy
2007 Pulitzer Prize winner
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is grey. The sky is dark. Their destination is the coast, although they don’t know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food — and each other.

The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, “each the other’s world entire”, are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation. (RM75.50)

Middlesex by Jeffrey Eugenides
2003 Pulitzer Prize winner
In the spring of 1974, Calliope Stephanides, a student at a girls’ school in Grosse Pointe, finds herself drawn to a chain-smoking, strawberry blond classmate with a gift for acting. The passion that furtively develops between them — along with Callie’s failure to develop — leads Callie to suspect that she is not like other girls. In fact, she is not really a girl at all.

The explanation for this shocking state of affairs takes us out of suburbia- back before the Detroit race riots of 1967, before the rise of the Motor City and Prohibition, to 1922, when the Turks sacked Smyrna and Callie’s grandparents fled for their lives. Back to a tiny village in Asia Minor where two lovers, and one rare genetic mutation, set in motion the metamorphosis that will turn Callie into a being both mythical and perfectly real: a hermaphrodite.

Spanning eight decades — and one unusually awkward adolescence — Jeffrey Eugenides’ second novel is a grand, utterly original fable of crossed bloodlines, the intricacies of gender, and the deep, untidy promptings of desire. (RM49.90)

Interpreter of Maladies by Jhumpa Lahiri
2000 Pulitzer Prize winner
Traveling from India to New England and back again, the stories in this extraordinary debut collection unerringly chart the emotional journeys of characters seeking love beyond the barriers of nations and generations. Imbued with the sensual details of Indian culture, they also speak with universal eloquence to everyone who has ever felt like a foreigner. Like the interpreter of the title story, Jhumpa Lahiri translates between the strict traditions of her ancestors and the baffling New World. Including two stories published in The New Yorker, Interpreter of Maladies introduces, in the words of Frederick Busch, “a writer with a steady, penetrating gaze. Lahiri honours the vastness and variousness of the world”. (RM39.90)

A Confederacy of Dunces by John Kennedy Toole
1981 Pulitzer Prize winner
After more than three decades, the peerless wit and indulgent absurdity of A Confederacy of Dunces continues to attract new readers. Though the manuscript was rejected by many publishers during Toole’s lifetime, his mother successfully published the book years after her son’s suicide, and it won the 1981 Pulitzer Prize for fiction. This literary underdog and comic masterpiece has sold more than two million copies in 23 languages.

The novel presents one of the most memorable protagonists in American literature, Ignatius J. Reilly, whom American author Walker Percy dubbed “slob extraordinaire, a mad Oliver Hardy, a fat Don Quixote, a perverse Thomas Aquinas rolled into one”. Set in New Orleans with a wild cast of characters including Ignatius and his mother; Miss Trixie, the octogenarian assistant accountant at Levi Pants; inept, wan Patrolman Mancuso; Darlene, the Bourbon Street stripper with a penchant for poultry; and Jones, the jivecat in space-age dark glasses, the novel serves as an outlandish but believable tribute to a city defined by its parade of eccentric denizens. (RM79.90)

To Kill A Mockingbird by Harper Lee
1961 Pulitzer Prize winner
This classic has been voted the most life changing book by a female author.

A black man has been charged with the rape of a white girl. Through the young eyes of Scout and Jem Finch, Harper Lee explores with exuberant humour the irrationality of adult attitudes to race and class in the Deep South of the 30s. The conscience of a town steeped in prejudice, violence and hypocrisy is pricked by the stamina of one man’s struggle for justice. But the weight of history will only tolerate so much.

To Kill a Mockingbird is a coming-of-age story, an anti-racist novel, a historical drama of the Great Depression and a sublime example of the Southern writing tradition. (RM59.90)

The Old Man and the Sea by Ernest Hemingway
1953 Pulitzer Prize winner
Told in language of great simplicity and power, this is the story of an old Cuban fisherman, down on his luck, and his supreme ordeal — a relentless, agonising battle with a giant marlin far out in the Gulf Stream. Here Hemingway recasts, in strikingly contemporary style, the classic theme of courage in the face of defeat, of personal triumph won from loss. (RM42.90)

Gone with the Wind by Margaret Mitchell
1937 Pulitzer Prize winner
Widely considered The Great American Novel, and often remembered for its epic film version, Gone With the Wind explores the depth of human passions with an intensity as bold as its setting in the red hills of Georgia. A superb piece of storytelling, it vividly depicts the drama of the Civil War and Reconstruction.

A sweeping story of tangled passion and courage, it tells the tale of Scarlett O’Hara, the spoiled, manipulative daughter of a wealthy plantation owner, who arrives at young womanhood just in time to see the Civil War forever change her way of life.

Many novels have been written about the American Civil War and its aftermath. But none take us into the burning fields and cities of the American South as Gone With the Wind does, creating haunting scenes and thrilling portraits of characters so vivid that we remember their words and feel their fear and hunger for the rest of our lives. (RM49.90)

The Good Earth by Pearl S. Buck
1932 Pulitzer Prize winner
When O-lan, a servant girl, marries the peasant Wang Lung, she toils tirelessly through four pregnancies for their family’s survival. Reward at first is meagre, but there is sustenance in the land — until the famine comes. Half-starved, the family joins thousands of peasants to beg on the city streets. It seems that all is lost, until O-lan’s desperate will to survive returns them home with undreamt of wealth. But they have betrayed the earth from which true wealth springs, and the family’s money breeds only mistrust, deception and heartbreak for the woman who had saved them. The Good Earth is a riveting family saga and story of female sacrifice — a classic of 20th century literature.

Nobel Prize winner Pearl S. Buck traces the whole cycle of life: its terrors, its passions, its ambitions and rewards. Her brilliant novel is a universal tale of an ordinary family caught in the tide of history. (RM44.90)

*The Pulitzer Prize winners for 2018 will be announced on April 16.

Posted on Leave a comment

‘Ready Player One’: Read the Book and/or Watch the Movie?

Ready Player One (RP1) is a flawed novel. Among its blemishes is its narrow focus in that it was written for readers to get “it” — the “it” being the cultural artifacts of the 80s. It appealed to those who remember Pac Man, Popeye and Donkey Kong arcade cabinets, Galaga-type shooters, Ghostbusters, Ferris Bueller and A-Ha!, and those who thought that Molly Ringwald was going to be the best actress in the world forever. The Delorean DMC-12 was the coolest car in the world, followed by Kit from Knight Rider; Dungeons and Dragons was so seriously real that religious leaders and concerned relatives felt a need to confiscate your d20s and 12s as well as your Player’s Handbook and Dungeon Master’s Guide.

If you got those references, you should have felt a quick shot of dopamine course through your body — such is the power of nostalgia. The book, though boasting a quest at its heart, wizards, puzzles and a bad guy, is a matrix of arguably empty nostalgia that nevertheless sends a jolt of pleasure every now and then to the reader in the know. The characters of the book, similarly, had little about them except for their own obsession with the 80s. Perhaps the only detail well-fleshed out in the book, albeit briefly and in flashes, is the sorry state of the planet.

A quick rehash of the overall story:

21st-century earth is a shithole. The only escape is The Oasis, a virtual wonderland created by eccentric genius James Halliday. The Oasis, a reprieve from reality, enjoys mass success and becomes a surrogate for reality. Schools and lessons are held in the virtual world, and it’s also the platform for most business and commercial transactions. Corporations make a mint selling hardware and advertising space to Oasis users, and could probably be making a lot more if not for the restrictions imposed by Halliday.

Commercial restrictions aside, Halliday has also designed The Oasis as a homage to the 1980s due to his lifelong obsession with the decade. Following his death, Halliday announces a quest, the winner of which will be the beneficiary of half a trillion dollars and become the sole owner of Oasis. This sparks a massive hunt by individuals and corporations alike for the quest’s prize — an Easter Egg hidden somewhere within the VR world. These Egg Hunters, or Gunters, need to overcome three puzzles to retrieve the Egg.

Wade Watts is one such Gunter. He solves the first quest — the first to do so in the years since the quest was first announced — and becomes the hottest asset in The Oasis. This puts him in the cross-hairs of other Gunters as well as IOI Corporation, a nefarious company seeking to gain ownership of The Oasis for commercial exploitation. To ensure the Oasis is safe from IOI, Wade, together with his loose coalition of friends, must solve the puzzles and find the Egg before IOI does.

What the Movie Does Well

As with most movie adaptations, the movie is a fraction of the length of the book but manages to address a critical flaw in the book, namely, the flatness of the characters. Character definition was poorly executed in the book leaving readers with a fairly forgettable description of the main characters save that they were all obsessed with the 80s, two of them were good and one of them was evil. The movie, by giving the protagonist’s love interest Art3mis a greater sense of purpose, gives her greater depth as a person and not just an online persona as represented in the book. Wade, unfortunately, remains as uninteresting as he was in the book.

The movie also rejigs the quests the Gunters have to solve from the book. No doubt the quests in the movie — a Mario Kart-ish race, and a set-piece based on Stanley Kubrick’s The Shining — were chosen because it made for better visuals than the book’s. The latter involved mainly arcade cabinets and old text adventure games. The cinematography and planning for The Shining stand out in particular, even if zombies were added to it. In hindsight, the quest revisions in the movie helped sweep away a lot of unnecessary geek humour littering the book. For example, the first quest in the book involved playing Joust with an undead lich.

The final battle was certainly fun even if it did revert to the RP1‘s formula of invoking nostalgic artefacts, but this time from the not so distant past. Keep an eye out for the following characters in the Battle of Anorak:

  • Master Chief, Halo
  • Tracer, Overwatch
  • Robocop (in the original silver)
  • Lara Croft, Tomb Raider

There’s a lot more. There’s even a shout-out to Cameron Crowe’s Say Anything in the final battle. But see what I did there? Just as the movie does, I’m establishing my pop culture cred by being able to pick out all these references and cultural artefacts and thereby raising my esteem amongst my peer groups (one hopes). It’s pretty much what Rob Gordon in Nick Hornby’s High Fidelity says: “What really matters is what you like, not what you are like.”

What the Movie Doesn’t Do So Well

Casting. Tye Sutherland (who looks like a cross between Tom Hardy and Ashton Kutcher) was not a good choice for Wade Watts and was comprehensively outdone by his Oasis avatar in almost every way. I was unpersuaded by his motivations in the movie and his character is too shell-shocked and overwhelmed to lead an army in the final battle. It’s also inconceivable that Art3mis played by Olivia Cooke would develop any romantic feelings for him. Wade is at worst a selfish brat and at best a juvenile naif.

The Big Picture. In the William Gibson Neuromancer universe, the price humanity pays for virtual-fication of reality is clearly spelled out. The trade off is much less clear in RP1 where The Oasis exists as a gaming wonderland. Yet clearly a price has to be paid because one of the “improvements” introduced by Wade and Art3mis in the movie is regular shutdowns for the virtual world so people would switch-off to engage in the real world. This didactic point is raised throughout the movie as well, although it never really offers a good reason why the real world is better. It’s fundamentally a philosophical question but perhaps a good thing that the hoary chestnut was left undeveloped.

Empty nostalgia. This is more of a pet peeve than legitimate criticism of the movie but I’ve always wondered if nostalgia is a legitimate literary device. Must we distinguish between empty nostalgia and ostensibly the kind that’s more full and meaningful? And is it fair to expect the latter from a movie as, after all, nostalgia is a subjective function? So while on the one hand, I enjoyed (on some primitive level) recognising certain references, there is also another part of me that feels a bit tawdry because of the cheap thrill.

Verdict

My first impression after watching the movie was that the book was better. But now that I’ve revisited the book again, I am reminded of the flaws that made this book really slow going. After all that’s said and done, it’s a Spielberg movie and those seldom venture into the unwatchable terrain. It’s also got some great CGI and effects. The book, meanwhile, retains some charm although it will appeal more to those who grew up in the 80s.

So 80s nerds and geeks: Read the book and watch the movie. Everyone else should probably just stick with the movie.

Posted on Leave a comment

Lit Review: ‘Need to Know’ by Karen Cleveland

Who: Former CIA analyst Karen Cleveland hung her intelligence hat up in exchange for a writing career. Need To Know is her debut novel, and the film rights for the book have already been bought by Universal Pictures (Charlize Theron is reportedly acting in it).

What: CIA counterintelligence analyst Vivian Miller is working on uncovering a Russian sleeper cell in the US. After accessing the computer of a potential Russian operative, Vivian stumbles on a secret dossier of deep-cover agents and discovers to her utter horror that one of the sleeper agents is her husband, the man she has been married to for over two decades and has four children with. She is faced with impossible choices, torn between loyalty and betrayal, allegiance and treason, love and suspicion.

Why: While the whole espionage premise may be outside most of our scope of personal experience, the emotional turmoil, the hurt and betrayal that Vivian has to deal with is only too familiar for some of us. Right from the first chapter, we discover with Vivian that her husband is a Russian spy. We are taken through the gamut of emotions that such a revelation undoubtedly brings: shock, horror and disbelief, followed quickly by self-questioning and distrust. The bulk of the novel focuses on Vivian’s struggle to come to terms with the truth, and she replays their years together and sees that all the red flags she missed were there all along. Being a CIA agent, this is especially galling for her, and we feel nothing but sympathy for Vivian.

The story of their past is juxtaposed with the present, where Vivian makes the decision, for better or worse, to protect her family. That decision eventually comes to a head in a showdown with the Russian handler. Yes, it takes some time to get there, but the last quarter of the book is where all the action takes place. There are twists that you may or may not have seen coming, culminating in an ending that will likely make your jaw drop.

Verdict: While Cleveland takes her time to flesh out the characters and their stories, she manages to deliver a satisfactorily heart-thumping espionage thriller. (6.5/10)

Cultural Touchpoints: The TV series, The Americans

Availability: Trade paperback, RM79.90

Special thanks to Times Distribution for an ARC of the book.